MetArt Galleries: January 2007

MetArt Galleries

Masha: "Figurante" by Slastyonoff

Slastyonoff has chosen a simple backdrop to feature this delicate and youthful model against. The neutral backdrop illuminates Masha's tanned skin. The white tutu worn by the model further accentuates her glowing skin tones. Masha flexes and bends her lithe physique in a variety of positions throughout this series. Her flexibility stirs the imagination and allows viewers to imagine this ballerina providing a private dance for their pleasure.

Masha is an accomplished dancer. This photo shoot was actually inspired by the model's request. Masha was trained as a dancer from a young age and she continues to dance. Music moves her soul. She is sensitive and attuned to the sounds of instruments. Masha appreciates classical music yet she departs from her studies of dance to enjoy the wilder side of life at times. This is reflected in her willingness to share the perfection of her young body with Slastyonoff.

The first picture featured from "Firgurante". showcases only a glimpse of this model's prettiness. Her dark hair is braided and cascades down her exposed back. Masha's sweet facial profile is highlighted. Her gaze is downcast and reserved. The flutter of the model's eyelashes is almost palpable. Two sets of golden earrings adorn her earlobes.

The photographer offers several photographs that focus upon the sculptured derriere of Masha. This particular picture shows the model with her tutu pushed downward and clinging to her thighs. Masha presses her hands against the wall. The roundness of her buttocks are an undeniable focal point of this picture. The model's long dark braid trails down her well-defined back and further draws the eye downward.

Masha at some point in the photo shoot loosens her ebony hair so that it flows freely over her back. Perhaps she wanted to first give viewers the opportunity to admire her slender and toned body before obscuring it with her long hair.

The last photograph from this collection features Masha without her tutu. The model has shed her tulle skirt and is posing with a hint of a smile. Her hair is long and full in this picture. Natasha's breasts are obviously natural and fit her physique without question.

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MetArt Galleries

Liza & Alena : "Veleno" by Voronin

Liza is a statuesque blonde seductress with a flawless physique and stunning facial beauty. Alena is a dark-haired enchantress with a slender and petite form. Liza first appears in "Veleno". dressed in a black bra and a fishnet body stocking that clings to each line and curve of her toned body. Alena's attire is similar but she wears hues of vibrant red.

Liza's platinum locks are styled in two ponytails and secured with black ribbons. Alena's chestnut tresses are braided into a single braid and adorned with a red satin tie. Both women wear high heels that accentuate their long slender legs.

The background for this photo shoot is a casual and contemporary apartment setting. Neutral walls with an oversized mirror, an ivory sofa, linen upholstered chairs, and dark hardwood floors are part of the setting. This environment creates the illusion that Liza and Alena are two roommates at home sharing and exploring the secrets that each possess.

The cover picture from "Veleno". is an image of Liza and Alena entwined in an intimate embrace. Alena gently holds Liza's finely sculpted face with one of her graceful hands. The dark-haired model's legs are spread enough to reveal the pinkness between her thighs. Alena's exquisitely firm buttocks are prominent in this enticing photograph. Liza's lips are parted and a glimpse of her brilliant white smile is visible. Her vibrant eyes are relaxed and focused in the direction of Voronin's camera. Both of the women are topless and a first glimpse of their breasts' are irresistibly enthralling.

A photograph of the two beauties standing side-by-side is the next featured picture. Alena stands sideways while Liza faces the camera straight on. Liza wraps one of her arms around Alena in an endearing pose. The facial beauty of the two models is striking in this close-up picture.

Alena's superb derriere is showcased as she poses with her arms stretched above her head. Her dark wavy hair flows down her bare back and skims the small of her smooth back. Liza leans into Alena's toned body and hugs Alena's thighs. Liza's flat abdomen is clearly visible above the waistband of her black stockings. This picture is charged with electricity. Soft lighting provide shadows that wrap around the presence of the two women.

The final picture from this collection reveals a completely nude view of Liza and Alena. The full power of their bare flesh is riveting and holds the attention of the viewer as every aspect of the models' fineness is surveyed. The most intimate spaces of Liza and Alena's bodies are offered.

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The Latest MET ART Gallery Update: - NIKEIAS

SABYNE, MADDY: "NIKEIAS" by GIOVANNI NOVA

FABULIAS
NIKKY: "FABULIAS" by TIM FOX

PRESENTING BECCA
BECCA: "PRESENTING BECCA" by ERRO

PRESENTING ANUTA
ANUTA: "PRESENTING ANUTA" by VOLKOV

SORGENTE
IVETA: "SORGENTE" by GIOVANNI NOVA

HELISA
OLGA: "HELISA" by VORONIN

KIKILAN
MASHA: "KIKILAN" by PASHA

DECATURIS
ANGELIKA: "DECATURIS" by VORONIN

JILANIKSI
VANESSA, SCARLETT: "JILANIKSI" by GIOVANNI NOVA

MetArt Galleries

Liza and Jenya aka Katie Fey: "Encore" by Voronin

Liza and Jenya are two models that Voronin photographs regularly, yet the finished products of their galleries are continually refreshing and riveting. This series combines the talents of both models while revealing the intimate closeness the two share. The fairness of Liza's hair and eyes contrasts boldly against the darkness that dominates Jenya's good looks. Liza and Jenya capture the essence of light and darkness with their combined presence.

Liza wears lime green lingerie with scarlet accents to compliment the scarlet bra and panty set worn by Jenya. The long shapely legs of both models are clad with leggings. Liza and Jenya each wear high heels that further emphasize their tall slender physiques. As the photo shoot progresses, black satin ribbons encircle the model's necks. They retain their sexy stockings until the end of the photo shoot.

The photograph introduction to the series is astounding in the way that the model's physiques are emphasized. The two are pictured standing atop a bed against a backdrop of mint green walls. They are posed in a suggestive stance. Liza is positioned behind Jenya. Liza pulls at the dark-haired model's long thick mane as shadows outline the unbelievable curves and lines of the two women's bodies.

The next picture is from the opening of the photo shoot. Both models are dressed in lingerie. Jenya pulls Liza close to her with the placement of her manicured hand upon the blonde's forehead. Jenya's face is pressed against Liza's hair. Liza crosses one of her arms over Jenya's body and pulls the model closer to her by pulling on one of her hips. The models' legs are intertwined to suggest an overwhelming sense of intimacy.

The third photograph highlighted from this collection speaks volumes even through the medium of still photography. The two gorgeous women are pictured in a kneeling position upon a bed. They lean toward one another, close enough for one of Jenya's breast to graze one of Liza's slender arms. Both women lock eyes with Voronin's camera as Liza poses with a single finger pressed to her lips. It is the universal message of "Shh! this is our secret". It is as if the models are inviting viewers to participate vicariously in their rendezvous under the condition that their erotic tryst is kept under wraps.

The forms of Liza and Jenya are again showcased in the final photo selected from this gallery. Jenya's muscular abdomen is one of the focal points of this photograph. The flaxen-haired model has a body that is toned beyond belief. Jenya's voluptuous body is positioned slightly behind Liza. She holds onto one of Liza's shoulders and places her open mouth upon one of Liza's shoulders in a carnal gesture. This is theme that dominates the entire series.

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MetArt Galleries

Evelyn P.: "Qualitas" by Tim Fox

Tim Fox has created a series that superbly frames the impeccable beauty of Evelyn. The stage for the gallery "Qualitas". is an expansive unfurnished room accented with several glass doors and arched windows. These accents allow an abundance of natural lighting to flow into the vast room where Evelyn is photographed. The model's bewitching form is exhibited without clothing from the opening of the gallery. Ebony high-heel sandals are the only adornment worn by Evelyn.

The photograph selected by Tim Fox to represent this series offers an image of Evelyn seated on a golden oak hardwood floor. The tone and texture of the wooden flooring compliments the smooth tanned complexion of the model. Evelyn is positioned in a side-sitting position with one of her legs in a bent position. A view of the pink flesh between the model's legs is prominent. Seductive black diamond-studded high heels are also a focal point of this picture.

Fox presents a pleasing photo of Evelyn that showcases the model's upper body and face. Evelyn's black hair is pulled into a single braid. The styling of the model's hair allows the dazzling radiance of her face to shine. The cosmetic enhancements of eye shadow, blush, and lipstick are applied flawlessly and compliment the innate prettiness of the model's facial features. A profile view of one of Evelyn's pert breasts is also a notable part of this picture.

Evelyn is photographed lying on her back in the next picture. The model raises her hips toward the ceiling and opens her legs widely in a pose that stimulates the imagination. Cameraman Fox photographs Evelyn from an angle that adds interest to this already riveting photo. Her face is as much a focal point of the photograph as her supreme physique. The model's arms are posed eloquently. Her manicured nails are polished and pristine.

The last picture featured from the gallery "Qualitas". offers an explicit view of the feminine space between the model's parted thighs. Evelyn leans back onto her arms extended behind her back. She casually bends one of her knees to enable Fox's camera access to her most private area. The lighting is soft and unobtrusive. The background of the picture is awash with ivory tones. Evelyn is clearly the lotus of this final photograph. She commands the attention with her regal presence. Photographer Fox's eye for refined beauty and his ability to showcase it is evident in this exceptional series.

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MET ART Models: - NIKEIAS

SABYNE, MADDY: "NIKEIAS" by GIOVANNI NOVA

MetArt Galleries

Jade: "Trace" by Vitali Gubin

Gubin has created a stunning atmosphere in this film that features the timeless classic allure of Jade, one of the most sensual models of Met-Art. The movie is over nine minutes long and affords viewers the chance to be drawn into the shadowy intimate spaces that Jade inhabits. The experience is encompassing and enthralling.

Jade moves like an ethereal creature from another time and place. A dimly lit backdrop of midnight blue hues adds an element of mystique to the captivating diva's presence. Colorful beads adorn her neck and slight wrists. The model's unbelievable bosom is bared from the beginning of the film. A heavily beaded belt encircles Jade's voluptuous hips. A pair of sheer fishnet stockings cling to the model's curvaceous buttocks and long toned legs.

The soundtrack accompanying the movie is mellow and intensifies the viewing pleasure of the film. Jade has the ability to communicate clearly with her movements and her steely gaze. Her lovely hands caress her full breasts and smooth abdomen. They trace each line and curve of her physique throughout the entire movie and this is perhaps part of Gubin's inspiration behind the titling of this work.

Gubin uses the devices of fading throughout the movie. Jade appears and reappears as lovely as ever each time. At one point the model disappears through a dimly lit doorway. She is next featured against a hazy lavender backdrop induced by colored lighting. Jade moves to a bed without her stockings though she retains the beaded belt around her hips.

The model stirs the imagination as she stretches and preens upon the bed. Gubin uses his camera to highlight the most intimate places of Jade's form. She poses upon parted bended knees and moves her hips in a sensual serenade. Jade runs her hands through her long straight red hair and tilts her lovely face in every conceivable angle. Her expression ranges from serenity to pure ecstasy. This seductress is truly enchanting and manages to weave a spell that transcends the effect that still photography can offer. This medium allows viewers to appreciate the full effect of her vitality and feminine wiles.

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MetArt Galleries

Presenting New Model Ekaterina by Stainless

Photographer Stainless provides a wide variety of stunning images of model, Ekaterina, in this inaugural gallery. The raven-haired maiden is first presented lounging upon a vintage davenport. She is dressed in a white lingerie set complete with matching panties and thigh high stockings. A smoky unobtrusive backdrop provides a neutral canvas against which to highlight her sensual presence.

As the series progresses, Ekaterina is captured poised upon a silver wrought iron chair. An elegant charm hanging from a silver chain adorns the model's graceful neck. Ekaterina retains the stockings for a touch of sophisticated titillation.

Stainless also presents images of Ekaterina in the act of shedding her lingerie to reveal her supple tanned figure. The dark tones of the model's flesh contrast vividly against the stark whiteness of her attire. Ekaterina performs her disrobement upon a plush stretch of beige carpet.

Ekaterina's flawless breasts are heart-stopping in the cover photo from this series. The model is captured in motion as she lifts her sheer nightgown over her head. The expression set upon Ekaterina's pretty face is one of submissiveness and offering. Her countenance is gentle and soft. The model's body is curved in such a way that she almost seems a part of the antiquated furniture she sits upon. The slopes of the sofa compliment Ekaterina's form uncannily.

Stainless provides many up close photographs of this model throughout the gallery. One of the most stunning of them is an image of Ekaterina with her head turned to the side so that her facial profile can be admired. The model's long dark hair streams over her shoulders. Her lips are slightly parted to reveal a glimpse of her pearly white teeth. The model's phenomenal breasts are again featured in this picture. They are impossible to ignore.

Ekaterina positions herself along the top of the davenport in the next photo from this series. Her bottom is nestled within one of the curves of the fine piece of furniture. The model's gaze is lowered yet powerfully challenging. It is as if she is requesting the company of a companion to join her upon the roomy sofa.

The model's sculpted backside is the focal point of the last picture. Her stance clearly emphasizes the contours of her buttocks. The model's lovely hands further draw the eye to the already captivating part of her form. Her hands are positioned as if they are cupping each cheek of her derriere. A washed-out black backdrop ensures that Ekaterina's presence is at the forefront of the picture.

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MetArt Galleries

Yana B: "Flora" by Slastyonoff

Slastyonoff has created a dream-like atmosphere in this latest offering. The model, Yana, is photographed with a bounty of pristine fresh white flowers. The overall ambiance of the entire series "Flora". is one of peace and solitude. Yana reveals her innermost private time and private areas with viewers.

Yana's taut body is partially submerged in a tub of clear still waters in the introductory photograph. White blossoms cover much of her body and float in the space between her parted thighs. The model's face is calm and serene. She is clearly enjoying the relaxation the warm water provides. Stastyonoff captures an unobtrusive portrait of feminine beauty with this stunning picture.

The photographer comes closer to Yana in the next highlighted photo. It is the model's facial features that are the focus of this particular picture. Few cosmetic enhancements are present as Yana's face, shoulders, and one of her breasts is framed by a floating bouquet of flowers. A simple golden chain adorns Yana's graceful neck. The model's auburn hair hangs loosely.

Soft lighting dominates the third photograph featured from the "Flora". collection. Yana poses on bended knees in a bathtub. Her nude body is bared but the model's crossed arms occlude her breasts. A delicate golden chain bracelet encircles one Yana's wrists. The ends of the model's hair are wet from her bathwater. Yana puckers her succulent lips and gestures as if she is asking viewers to keep a secret. This photograph communicates through the medium of still photography so much about this young woman. A blossom is tucked behind one of the model's ears and a mischievous countenance is present in the features of her face.

The photographer offers a view of the model's backside in the final photograph reviewed. Yana's buttocks are full and round. Bikini tan lines are discernable at the place where her back melds into her bottom. Yana's legs are parted and her hands rest on her thighs. The model's hair styled in long layers trails down her smooth back.

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MetArt Galleries

Presenting New Model Jenya by Morozov

Morozov brings a fresh-faced dark-haired model to Met-Art in a gallery that captures the imagination. The photographer presents Jenya against a backdrop of muted pastels reminiscent of an evening sunset. Her goddess-like physique is covered by a white netted wrap barely secured with a golden clasp. The youthful model first appears with her hair upswept which dramatizes her fine facial features. As the gallery progresses, Jenya releases her long and flowing ebony tresses.

Jenya's lips are glossy and her chocolate eyes are lined to accentuate their lovely shape. Bright lighting highlights the model's creamy complexion. Pink velvety material and a fluffy tawny rug add texture add to this photo shoot.

The cover photograph introducing Jenya pictures the model kneeling upon the fur rug with her precious bosom exposed. She seductively pulls her hair back to reveal her angelic face. Silver hoop earrings adorn the model's ears and a delicate bracelet encircles one of her wrists. Jenya's slender torso and flat stomach are also revealed.

A head shot of Jenya focuses on the model's attractive facial features that are perfect enough to inspire any artists appreciation of consummate beauty. Faint traces of frosty shadow shimmer beneath Jenya's meticulously shaped brows and upon her eyelids. Rose gloss emphasizes the model's striking lips. Velvet pink material caresses the bare flesh of Jenya's back and draws attention to the model's timeless femininity.

Morozov provides a view of Jenya's exquisitely unblemished derriere in the next featured photograph. Her buttocks are voluptuous and emphasize the slightness of the model's waist. Jenya extends her arms over her head and gazes back at Morozov's camera. The profile of one of the model's breasts reiterates its pertness.

The final picture from this collection offers an unobstructed look at Jenya's nude form. The model is poised with one perfectly manicured hand resting upon her hip and the other lost within her ebony tresses. Jenya's eyes are closed so that she appears lost in the contemplation of her secret longings and desires. The smoothness between the model's ivory thighs provokes the viewers own innermost fantasies.

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MetArt Galleries

Liza: "Look" by Voronin

The tall and lithe blonde model showcased in this gallery first appears with a white scarf wrapped around her curvaceous hips. The suntanned tones of Liza's flesh shimmer against the stark whiteness of the wrap. Strands of iridescent pearls are draped around Liza's graceful neck and rest between the valley of her perfect breasts. The hanging beads accentuate the model's toned torso and amazingly flat abdomen.

The backdrop for this photo shoot is lush greenery. This is a setting that Voronin uses often to showcase the undeniable innate allure of this model. Liza's presence is like the unspoiled habitat that surrounds her unblemished perfection. The natural sunlight settles upon her skin and illuminates her finely sculpted facial features and physique. Liza is a model who has nothing to hide. The blonde is more than willing to expose each curve and angle of her form for Voronin's camera and the craftsman behind the lens is an expert at framing her sensuality and feminine charms. Liza and Voronin consistently bring to Met-Art the best in fine nude art photography.

The cover photograph for this series is a photograph focusing on Liza's exquisitely formed derriere. The model poses with a scarf draped over one of her smooth shoulders while she turns her angelic face towards Voronin's camera. Liza's full blonde tresses are pulled to one side so that her delicate face is in full view. Her lips are slightly parted and a hint of a seductive smile graces her precious lips.

Voronin provides a head shot of Liza in the next photograph. The model's facial beauty is prominent in this picture. Liza's sweeping brows frame her clear penetrating eyes. Simple pearl studs adorn the model's earlobes and coordinate with the pearls lying upon her bared bosom. The photograph is elegant in its simplicity and clarity.

Liza is captured with her arms clasped behind her head and her lovely face upturned skyward in the next photograph. The lighting is somewhat shadowy as if it is receding at this point in the photo shoot. The effect is startling. The model's slender body is clearly the focus of this picture.

The final photograph featured from this collection reveals a softer side of Liza's presence. The model appears almost demure. Her hair is partly pulled back but the ends are draped over her shoulders. Liza's hands are folded behind her back and slender thighs are partly crossed. The darkness between her legs is still visible despite the coy expression that seems to dominate her facial features. This is a perfect example of the versatility this model exhibits in her modeling work. It's also a testament of the creative talent behind the camera that produced this series.

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MetArt Galleries

Tanya: "Rossa" by Voronin

Tanya is a relatively new model at Met-Art but this fiery red-haired enchantress has quickly cast her spell upon Met-Art readers. This beauty has that "something". that enthralls and intrigues each time she makes an appearance. Voronin is the expert craftsman who manages to bring unique galleries that frame perfectly this lovely teen's numerous assets.

This gallery is set against a backdrop of ornately detailed geometric-patterned wooden doors, off-white walls, and shiny hardwood floors. The illusion is present that Tanya has invited viewers to join her in her home as she exhibits her most intimate charms. The model wears a multi-colored tropical printed bra and panty set that accentuate her voluptuous figure. A pair of open-toe golden high heel shoes adorns the model's lovely feet. Tanya's long red locks flow freely over her creamy ivory shoulders.

Voronin selected a photograph of Tanya sitting upon a wooden chair with her thighs parted for the cover shot of this series. The model sits with one of her arms propped on the back of the chair and with her face turned a bit to the side. Tanya eyes Voronin's camera coyly and several strands of her hair hang loosely in front of her face. This photograph showcases the stunning facial allure of Tanya as well as the feminine appeal of her amazing physique.

The next photograph from this collection is a photograph in which the model leans against the side of a doorway in a sideway stance. Tanya smiles directly at Voronin's camera and again the model exudes a very inviting presence. Tanya is dressed in the bra and panty set in this photograph. The model's sweeping brows frame her dark eyes. A hint of peach color blushes Tanya's smooth cheeks.

Tanya again leans against a doorway but in the next photograph from this series, the model is facing Voronin's camera. This positioning allows viewers to admire almost the full length of Tanya's spectacular form. The model has shed her lingerie and she poses nude for this picture. She pulls her auburn hair away from her face so that her one-of-a-kind beauty can be taken in. The model's breasts are perfectly symmetrical and the area just below her naval is all natural but well-maintained. The inlaid geometrical pattern of the woodwork on a door in the background adds interest to this photograph though Tanya is able to hold the attention of the most discriminating connoisseur of feminine beauty.

Voronin is not remiss in giving viewers the opportunity to admire the voluptuous curves of Tanya's full bottom. Tanya is photographed standing with her back toward Voronin's camera with the light behind her. The model's fiery red hair appears as if it is lit with the shimmering of light woven throughout the edges of free flowing tendrils. Tanya's long mane trails down her back and rests at the small of her back just above the place where her buttocks begin. The model's thighs are slightly apart so that the light settles also in that secret place between her legs.

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MetArt Galleries

Julia and Vika: "Alluring" by Goncharov

Julia has a physique that is petite and slender. The model Vika has a form that can only be described as voluptous. The contrast between the two young women caters to the preferences of all. These girls certainly do enjoy each others company as evidenced by the intimacy shared by the two. Goncharov expertly captures this closeness as the shoot progresses. There is no direction from the photographer as the models lean on one another to satisfy their innermost desires. Julia and Vika are beautiful and erotic in this display of their affection candidly captured by photographer Goncharov. The entire photo shoot is captured against a backdrop of windows with natural lighting streaming in. The two models featured by Goncharov in this gallery glow against the backdrop of sunlight.

Julia is seated in front of Vika in the cover photo from the aptly titled gallery "Alluring". Everything about this photograph is alluring. Julia is seated with her legs spread to reveal her most intimate feminine charms. A scarf is draped around the model's shoulders while she holds tightly to Vika's knees. Julia looks downward while Vika casts her gaze to the side. Vika's breasts are pressed against the back of Julia's head.

The next picture showcased from "Allurin". offers an intimate view of Julia and Vika holding one another. Vika's generous breasts and the area between her parted thighs is clearly the focal point of this picture, but the gentleness of the models leaning into one another stirs the libido as well. Texture is created by Goncharov by the netted scarf worn by Julia as well as the belt and shawl worn by Vika.

An ice blue landscape behind numerous windows provides the backdrop for this picture that shows Julia sitting on the floor and leaning into the knees of Vika. Julia still wears a netted scarf upon her head but Vika is pulling at her black lacy lingerie during this time. Despite, Julia's small stature, the model has a generous bosom.

The last picture reviewed from this gallery show Vika spread with her form fully exposed along the top of a back bench, The model has her body totally stretched out and waiting. Julia is in a kneeling position.

Julia and Vika are definitely a duo that can call themselves "alluring". This series caters to viewers who imagine being with two women at the same time.

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MetArt Galleries

Ashanti: "Entropy" by Ingret

Ashanti is one of those young women that enthralls with her seemingly oblivious recognition of her sexual prowess and appeal. She is the neighbor who lays out in the sun topless or washes her car while wearing a mini-skirt. Her charms are reminiscent of the clich�d term "girl-next-door". Though we are reluctant to use it, it fits so perfectly when describing Ashanti.

This series by Ingret is photographed against a backdrop of white, ebony, and grey tiled steps. The photograph introducing this gallery pictures Ashanti hugging one of her shapely stocking-clad legs close to her face. Her shiny long hair clings to her finely sculpted cheekbones and a hint of a smile graces her delicate lips. Ashanti's pale eyes beckon viewers to review her latest exhibitionistic tendencies as she poses for Ingret in this series.

The photographer captures Ashanti perched upon a tiled step in the next picture featured from this gallery. The model poses with her legs parted. There is nothing obstructing the view of her most feminine charms in this photograph. One of Ashanti's breasts is covered by her long auburn tresses. There is a glimpse offered of the natural perfection of her bosom. Ashanti has her head turned to the side so that her pretty profile can be admired.

Ashanti is next highlighted in a kneeling position with her backside exposed beneath a sheer white pair of fishnet stockings. The model casts an over-the-shoulder glance at Ingret's camera as she assumes this pose. Ashanti's well-formed buttocks are truly the focus of this picture though her gaze is penetrating and inviting.

Ingret manages to capture Ashanti as she removes her stockings as the gallery progresses. One of the last photographs of the series features the model without her hosiery. She is again photographed in a more upright kneeling position. This picture highlights the magnitude of the model's breathtaking tender physique without restraint. Ashanti smiles so openly and easily in this picture. She is comfortable displaying her natural form for Ingret's camera. It's evident that this model and photographer have a working relationship that produces samples of some of the fine nude art photography that Met-Art is renowned for. There are numerous galleries of this model to be found throughout the archives of Met-Art.

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The Latest MET ART Gallery Update: - FINELIAN

KOIKA: "FINELIAN" by RAPHAEL

LILIZIA
EUFRAT: "LILIZIA" by SLASTYONOFF

HINIKAN
SHEILA: "HINIKAN" by MAGOO

KOLLEAN
YOLKA: "KOLLEAN" by MAX STAN

MetArt Galleries

Masha: "Figurante" by Slastyonoff

Slastyonoff has chosen a simple backdrop to feature this delicate and youthful model against. The neutral backdrop illuminates Masha's tanned skin. The white tutu worn by the model further accentuates her glowing skin tones. Masha flexes and bends her lithe physique in a variety of positions throughout this series. Her flexibility stirs the imagination and allows viewers to imagine this ballerina providing a private dance for their pleasure.

Masha is an accomplished dancer. This photo shoot was actually inspired by the model's request. Masha was trained as a dancer from a young age and she continues to dance. Music moves her soul. She is sensitive and attuned to the sounds of instruments. Masha appreciates classical music yet she departs from her studies of dance to enjoy the wilder side of life at times. This is reflected in her willingness to share the perfection of her young body with Slastyonoff.

The first picture featured from "Firgurante". showcases only a glimpse of this model's prettiness. Her dark hair is braided and cascades down her exposed back. Masha's sweet facial profile is highlighted. Her gaze is downcast and reserved. The flutter of the model's eyelashes is almost palpable. Two sets of golden earrings adorn her earlobes.

The photographer offers several photographs that focus upon the sculptured derriere of Masha. This particular picture shows the model with her tutu pushed downward and clinging to her thighs. Masha presses her hands against the wall. The roundness of her buttocks are an undeniable focal point of this picture. The model's long dark braid trails down her well-defined back and further draws the eye downward.

Masha at some point in the photo shoot loosens her ebony hair so that it flows freely over her back. Perhaps she wanted to first give viewers the opportunity to admire her slender and toned body before obscuring it with her long hair.

The last photograph from this collection features Masha without her tutu. The model has shed her tulle skirt and is posing with a hint of a smile. Her hair is long and full in this picture. Natasha's breasts are obviously natural and fit her physique without question.

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MetArt Galleries

Ashanti and Bella "Torrent" by Ingret

Ashanti's auburn tresses are braided in an adorable fashion to highlight her youthful appearance while Bella's blonde wavy locks flow freely. The flaxen-haired model possesses a pure and angelic appearance that perfectly compliments Ashanti's presence. Bella is nude from the outset of this series. A long crystal beaded necklace is the only embellishment worn by this pretty model. Ashanti wears a patterned halter top that harmonizes with the textured orange and red backdrop.

The cover photograph from "Torrent". shows a lean and smiling Ashanti standing upright behind Bella who is kneeling upon rust-colored tiled flooring. Both models are smiling and obviously enjoying their exhibitionistic fling with Ingret's camera. Ashanti has shed her halter top and the darkness between her parted legs is openly displayed. The lightness between Bella's thighs solidifies any questions as to whether the model is a natural blonde.

The next photograph featured presents an almost full-length profile view of Ashanti and Bella. Both models make direct eye contact with Ingret's camera as Bella clings to Ashanti's halter top. Ashanti's lips are slightly open while Bella maintains a secretive half-smile with glossy rose-colored lips. The lines and contours of the girls' shapes are striking.

Ingret has captured a tantalizingly suggestive photo in the following picture. Bella is situated upon her knees between Ashanti's spread legs. The blonde casts an over-the-shoulder gaze toward the camera and one can only imagine what she has been engaged in. Bella's buttocks are parted enough to reveal the softness between her tender thighs from behind. Ashanti poses with a hand demurely wrapped around one of her braids and eyes the viewer coyly. Ashanti retains her top but her most private feminine space is open and accessible to Bella.

The final photograph reviewed from "Torrent". reveals Ashanti and Bella standing side-by-side with their bodies bared for Ingret's camera. Ashanti is looking in the direction of Bella while the blonde-haired model eyes the camera with a head-on-stare. Perhaps the infatuation between these two lovely young ladies rests upon Ashanti's smooth creamy shoulders. The auburn-haired model seems to be taken by the fairness of Bella and her charms. The scope of the gallery leaves the viewer wondering where the fascination rests, but each photograph as it unfolds offers its own degree of fascination. This series only reiterates the notion that two women posing with flesh upon flesh intensifies the enigma of the feminine mystique.

See the latest erotic photography galleries at Met-Art.com

MET ART Presents: - LILIZIA

EUFRAT: "LILIZIA" by SLASTYONOFF

PRESENTING ANUTA
ANUTA: "PRESENTING ANUTA" by VOLKOV

KISIRIA
JULIA: "KISIRIA" by VOLKOV

ILLUSIONI
ELVIRA, ALENA, VALYA: "ILLUSIONI" by VOLKOV

MetArt Galleries

Lidiya: "Sourire" by Sunrise The Movie

This film opens with black and white cinematography highlighting the flirty image of the youthful model Lidiya dressed in a thick furry bathrobe and offering her radiant smile to the camera filming her. Lidiya also winks in conjunction with her playful invitation to watch her disrobe. The movie quickly fades into color film with a tranquil backdrop of music to accompany the exposure of pink lingerie clinging to the lovely form of Lidiya.

A romantic backdrop of floral wallpaper, neutral tones, and ruffles offers a gentle canvas against which to showcase the untouched beauty of this remarkable model. The model performs a sensual strip tease for the camera. She seductively removes her pink bra and panty set as she rhythmically moves her form to the soundtrack of this movie.

Sunrise offers several close-up views of Lidiya's pretty face as well as her youthful body. The vivacious teen traces the contours and curves of her body as she lounges upon a daybed. The camera moves down the length of the model's physique and entices the imagination. Lidiya picks up a heart-shaped pillow and performs a scintillating dance for viewers.

The teen model is next captured lying upon her side on the sofa. Her backside faces the camera before she turns on her back. Lidiya's pert breasts command the attention as the model allows her hands to feel their fullness. Her hands trail down the length of her body until they reach the intimate area between her thighs. Actually, much of film presents Lidiya's hands tracing her flesh and leading the viewer's eye.

This film presents some amazing images of Lidiya's buttocks as she kneels on the sofa and moves her hips in back and forth motions. Lidiya has the face and body of an angel yet this is a young woman who appears to have experience in exploring her own sexuality. She isn't afraid to express this part of her essence or to share this private time with viewers.

Lidiya slips a finger between her lips as she smiles in the direction of the camera. Her playful mischievous nature is riveting as the movie unfolds. This model is unafraid to pleasure herself. There is sensuality in this confidence. Even as Lidiya lies motionless upon the daybed that provides the setting for this photo shoot, she exudes a sense of eroticism. The entire movie evokes this aura.

See the latest erotic photography galleries at Met-Art.com

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MetArt Galleries

Julia Ah: "Musing" by Joanna Edwards

Julia is a sophisticated and mature model that dazzles with her presence. Her shoulder length crimped locks are a deep shade of auburn and frame perfectly her exquisitely sculpted facial features. The series opens with Julia seated upon an ebony leather sofa. A coffee colored wall provides a splash of rich warm color behind her form.

The model is clad in a white net covering. Black high heels with sexy ankle straps adorn Julia's feet. Several strands of shimmering pearls are draped around the model's neck. A pearl bracelet decorates one of her wrists. The simplicity of the elements contained within "Musin". showcase the supreme charms of Julia eloquently.

The cover photograph introducing this series reveals a magnificent view of Julia's feminine physique. The model pulls her hair up at the back of her head with one of her hands while the other rests at her neck. Julia's gazed is fixed upon a faraway point and captures the essence of the title of this gallery: musing. The model's face is turned sideways so that the lines and contours of her profile are highlighted. The lighting behind Julia gives her fiery hair the illusion that it is aglow. This is a powerful picture and tempts one to review the entire selection of one hundred photos contained within the gallery.

Edwards offers a close-up photograph of Julia that highlights her bright and engaging eyes, prominent cheekbones, and full lips. Feathery layers of auburn hair cling to the model's refined facial structure. One of Julia's uniquely manicured hands is positioned upon one of her smooth shoulders. Each of her nails shimmers with golden tips.

Julia is photographed seated upon the leather sofa in the next picture. The white throw that initially covered her amazing physique at the outset of the series is draped over one of the model's thighs. Julia's flawless breasts are one of the undeniable focal points of this picture as well as the slenderness of her torso.

The last photograph featured from "Musing". presents a stunning full-length image of Julia's statuesque form. The model poses in a standing position in front of a leather arm chair. Her lithe and taut form is shown in all of its glory. Julia's breasts are extremely full and round for her slight frame. She is a goddess of femininity. Viewers will undoubtedly be awaiting a return appearance by this talented model.

See the latest erotic photography galleries at Met-Art.com

The Latest MET ART Gallery Update: - HELISA

OLGA: "HELISA" by VORONIN

ILLUSIONI
ELVIRA, ALENA, VALYA: "ILLUSIONI" by VOLKOV

KIDINIA
HANNAH: "KIDINIA" by MAJOLY

FINELIAN
KOIKA: "FINELIAN" by RAPHAEL

PRESENTING MARGO
MARGO: "PRESENTING MARGO" by SLASTYONOFF

REICHLICH
JENYA: "REICHLICH" by VORONIN

FABULIAS
NIKKY: "FABULIAS" by TIM FOX

SPRINKLE
VALENTINA: "SPRINKLE" by RYLSKY

MetArt Galleries

Koika: "Icona" by Ingret

Ingret has chosen a luminescent yellow-orange background against which to feature the sensational presence of Koika. The petite blonde model is dressed in a long-sleeved ebony shirt that barely covers her remarkable breasts. A pair of black fishnet stockings cling to her shapely legs. A belt embellished with the words "Lov". encircles Koika's slender hips. Finally, a high-heeled pair of black leather boots adorned with fur complete the model's enticing ensemble. Koika's seductive attire contrasts sharply against the model's innate pure and innocent prettiness. The effect is highly charged with eroticism.

Koika's blonde hair hangs loosely and naturally. Her free-flowing locks are the palest shade of blonde and compliment her fair complexion. This model's facial features are perfectly symmetrical and capture the essence of timeless beauty. Her eyes are clear and shimmer with a shade of blue-green. A glossy hue of pink glistens upon the model's full pouting lips.

The cover photo introducing this gallery pictures Koika dressed in an ebony lace lingerie top and black thigh high stockings. The photograph focuses on the model's firm sculpted buttocks. Koika's lovely face is also featured as she looks over her shoulder toward Ingret's camera. Her face is full of vitality and youth. There is also a hint of budding sensuality present in her gaze.

Koika is next presented in a photograph that frames her doll-like face. The model's long platinum wavy hair is swept to one side so that her facial profile can be admired. Her shining eyes are riveting. The smooth contours of her cheeks, forehead, and chin are flawless. One of Koika's hands is teasingly slipped inside the front of the belt that rests upon her hips. Her other hand rests beneath one of her breasts.

Ingret provides a tastefully alluring photograph of Koika posed in a sitting position with the intimate space between her thighs clearly exposed beneath the pattern of fishnet stockings. The model's knees are pulled together but her thighs are slightly parted. Koika's facial features are set in an expression that highlights her youthful appearance despite the exotic clothing she is dressed up in.

Koika removes her clothing as the photo shoot progresses. She is captured by Ingret in a kneeling position that showcases her nude physique. The model's breasts, toned abdomen, and slender limbs are bared. Koika retains her thigh high stockings but she has shed the rest of her clothing. The model's long hair trails behind her shoulders and her refined facial features are riveting.

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MetArt Galleries

Karina B: "Axium" by Voronin

Karina appears without lingerie or jewelry in her latest appearance at Met-Art. This is a young woman who requires no embellishments to accentuate her phenomenal presence. The curves and lines of her ultra-feminine physique are heart-stopping without such adornments.

A sauna decked out in natural wood tones is the setting against which Voronin has chosen to frame this powerful model. Her skin is shiny with oil. Karina enjoys the sauna to cleanse her body's impurities and to keep her skin glistening with vitality. It is a place of peace and tranquility away from her busy routine of work, play, and schedules.

Voronin has chosen a photograph of Karina facing the camera full on. The model's eyes are mesmerizing. Karina cups her large breasts in both hands and poses in an almost lunging position. Every area of the model's toned body is slick with oil. The effect is titillating. This photograph beckons viewers to see more of this fascinating model.

There are several up close photographs included within this series of Karina's head and face. The close range only solidifies the complete beauty this youthful model holds. Karina faces the camera with her arms raised above her head in the next selected picture. Her glowing complexion, bright eyes, and glossy lips are hypnotic. The model's impossibly long straight brown hair emphasizes rather than distracts from Karina's natural allure. The models full breasts are showcased also with this photograph from a side view.

The next photograph will steal away your breath with its intensity. Karina's feminine treasures are vividly highlighted. Karina faces the camera with one of her legs propped against the wall of the sauna. This open stance reveals the slickness between her parted legs. The model's flat abdomen flows seamlessly into her slender torso. Karina's buxom breasts are bared to be savored by the eye. Tendrils of the model's hair are wet with perspiration and rest upon one of her shoulders.

Karina assumes almost the exact same position in another photo within the series but it is her backside that faces Voronin's camera lens. The model's damp hair forms a as it trails down her back. The roundness of Karina's buttocks is enthralling. The shapeliness of Karina's legs is also notable in this particular picture. The model's pretty facial profile is another aspect that catches the eye.

The last picture taken from this gallery exemplifies the artistic beauty and definition of this model's body. Karina kneels upon a bench nestled into a corner of the sauna. Her arms are outstretched above her head and her hands actually rest on the ceiling. Karina's head is thrown back to such a degree that the focus of the picture is clearly the physical fitness of the model and her supreme feminine presence.

See the latest erotic photography galleries at Met-Art.com

The Latest MET ART Gallery Update: - PRESENTING MARGO

MARGO: "PRESENTING MARGO" by SLASTYONOFF

MetArt Galleries

Alena and Katya: "Together" by Voronin

Alena and Katya are two slender dark-haired beauties that possess many similar characteristics. Both models have long cascading brunette hair that frames their exquisite facial features. The young women are also slender and have undeniably toned physiques'. Voronin has chosen a neutral background against which to feature the dynamic duo against. The power of their presence is overwhelming enough without the inclusion of a complicated backdrop.

The models each bare their firm bosoms from the opening of the series. Colorful sarongs accentuate their curvaceous hips and interesting necklaces adorn their necks. The wraps cling to each contour of these seductresses form. Voronin expresses his sense of unique fashion and artistry through the colors, styles, and patterns he selects for his models. This series is no exception to this master photographer's eye for detail.

The introductory photo for this gallery chosen by Voronin pictures Katya with her hand poised on Alena's full round derriere. Each model offers inviting glances that engage viewers to join them in their frolics. Alena's well-formed buttocks are fully exposed in this opening photo. Katya has pushed Alena's wrap upward enough to expose her tight assets.

Voronin provides several up close and personal photos that highlight the more intimate aspects of the relationships Alena and Katya share. The models are photographed with flesh upon flesh. Katya eyes Voronin's camera while Alena showcases one of her taut breasts. Katya maintains her eye contact with the camera even while her scent is permeating Alena's space.

Alena and Katya pose without clothing in the next photograph. Each petite model presses their forms against one another. Alena wraps a protective arm around Anna as the photo shoot progresses. The forms of these young models are heart-stopping.

The last photo from this gallery is truly a work of photographic expertise. Anna's lovely face is photographed as she poses with Alena's amazingly formed buttocks. The background for this photograph is so dark that the two highlighted models are the only possible focus. The photographer aligns the pairing of models based upon his creative vision. The selections featured in this edition of Met-Mag exemplify this Voronin's work at its best.

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MetArt Galleries

Liza and Jenya aka Katie Fey: "Encore" by Voronin

Liza and Jenya are two models that Voronin photographs regularly, yet the finished products of their galleries are continually refreshing and riveting. This series combines the talents of both models while revealing the intimate closeness the two share. The fairness of Liza's hair and eyes contrasts boldly against the darkness that dominates Jenya's good looks. Liza and Jenya capture the essence of light and darkness with their combined presence.

Liza wears lime green lingerie with scarlet accents to compliment the scarlet bra and panty set worn by Jenya. The long shapely legs of both models are clad with leggings. Liza and Jenya each wear high heels that further emphasize their tall slender physiques. As the photo shoot progresses, black satin ribbons encircle the model's necks. They retain their sexy stockings until the end of the photo shoot.

The photograph introduction to the series is astounding in the way that the model's physiques are emphasized. The two are pictured standing atop a bed against a backdrop of mint green walls. They are posed in a suggestive stance. Liza is positioned behind Jenya. Liza pulls at the dark-haired model's long thick mane as shadows outline the unbelievable curves and lines of the two women's bodies.

The next picture is from the opening of the photo shoot. Both models are dressed in lingerie. Jenya pulls Liza close to her with the placement of her manicured hand upon the blonde's forehead. Jenya's face is pressed against Liza's hair. Liza crosses one of her arms over Jenya's body and pulls the model closer to her by pulling on one of her hips. The models' legs are intertwined to suggest an overwhelming sense of intimacy.

The third photograph highlighted from this collection speaks volumes even through the medium of still photography. The two gorgeous women are pictured in a kneeling position upon a bed. They lean toward one another, close enough for one of Jenya's breast to graze one of Liza's slender arms. Both women lock eyes with Voronin's camera as Liza poses with a single finger pressed to her lips. It is the universal message of "Shh! this is our secret". It is as if the models are inviting viewers to participate vicariously in their rendezvous under the condition that their erotic tryst is kept under wraps.

The forms of Liza and Jenya are again showcased in the final photo selected from this gallery. Jenya's muscular abdomen is one of the focal points of this photograph. The flaxen-haired model has a body that is toned beyond belief. Jenya's voluptuous body is positioned slightly behind Liza. She holds onto one of Liza's shoulders and places her open mouth upon one of Liza's shoulders in a carnal gesture. This is theme that dominates the entire series.

See the latest erotic photography galleries at Met-Art.com

MetArt Galleries

Lidiya: "Sourire" by Sunrise The Movie

This film opens with black and white cinematography highlighting the flirty image of the youthful model Lidiya dressed in a thick furry bathrobe and offering her radiant smile to the camera filming her. Lidiya also winks in conjunction with her playful invitation to watch her disrobe. The movie quickly fades into color film with a tranquil backdrop of music to accompany the exposure of pink lingerie clinging to the lovely form of Lidiya.

A romantic backdrop of floral wallpaper, neutral tones, and ruffles offers a gentle canvas against which to showcase the untouched beauty of this remarkable model. The model performs a sensual strip tease for the camera. She seductively removes her pink bra and panty set as she rhythmically moves her form to the soundtrack of this movie.

Sunrise offers several close-up views of Lidiya's pretty face as well as her youthful body. The vivacious teen traces the contours and curves of her body as she lounges upon a daybed. The camera moves down the length of the model's physique and entices the imagination. Lidiya picks up a heart-shaped pillow and performs a scintillating dance for viewers.

The teen model is next captured lying upon her side on the sofa. Her backside faces the camera before she turns on her back. Lidiya's pert breasts command the attention as the model allows her hands to feel their fullness. Her hands trail down the length of her body until they reach the intimate area between her thighs. Actually, much of film presents Lidiya's hands tracing her flesh and leading the viewer's eye.

This film presents some amazing images of Lidiya's buttocks as she kneels on the sofa and moves her hips in back and forth motions. Lidiya has the face and body of an angel yet this is a young woman who appears to have experience in exploring her own sexuality. She isn't afraid to express this part of her essence or to share this private time with viewers.

Lidiya slips a finger between her lips as she smiles in the direction of the camera. Her playful mischievous nature is riveting as the movie unfolds. This model is unafraid to pleasure herself. There is sensuality in this confidence. Even as Lidiya lies motionless upon the daybed that provides the setting for this photo shoot, she exudes a sense of eroticism. The entire movie evokes this aura.

See the latest erotic photography galleries at Met-Art.com

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MetArt Galleries

Presenting New Model Verotrois by Richard Murrian

Richard Murrian is a renowned photographer in the world of fine nude art photography. Much of his work is featured throughout the pages of Met-Art. The photographer has discovered many flawless models and this series showcasing Verotrois is no exception. The blonde-haired golden girl's beauty is remarkable and captivating. Murrian's photographic talents are dazzling as well.

The entire gallery embodies a soft and unobtrusive aura. Gentle lighting and muted earth tones surround Verotrois as she offers her presence without reserve to the expertise of Murrian. The result is unforgettable and truly makes this series a "must se". for connoisseurs of natural feminine beauty.

The model's shiny hair is straight and unsecured. The highlights frame perfectly her refined facial features. Verotrois' eyes are hypnotic and demand the attention of viewers with their bold inviting direct gaze. The model's full succulent lips are expressive and an undeniable hallmark of her unique loveliness. A distinctive cleft in the model's chin also adds an element of uncommon allure to Vorotrois' prettiness.

The model first appears wearing an elegant black velvet halter dress. The folds of velvet cling to Vorotrois' slender form. Black high heels with ankle straps adorn the vixen's tiny feet and accentuate her slim ankles. The shortness of the dress reveals her shapely legs.

The cover photograph selected by Murrian to introduce this series presents a profile view of Verotrois. The blonde is perched sideways in a rattan chair. The features of her face are relaxed and unassuming. A glimpse of one of her pert breasts is visible. Verotrois' legs are lifted so that her bottom and the area between her thighs is highlighted. She appears like a princess poised upon a pedestal.

Murrian provides many close-up photographs that reveal the exceptional charms of Verotrois' presence. The first picture selected from this gallery reveals Verotrois pulling both sides of her long tresses away from her sculpted face. A tiny silver earring shimmers in one of the model's earlobes. Verotrois' dark eyes are riveting.

As the gallery progresses, Verotrois begins to shed the dress that covers her flesh. This next photograph captures the model's striptease about half-way through. Verotrois poses with the dress settled upon her curvaceous hips. The blonde's breasts and toned torso are exposed. Verotrois' is photographed with one of her arms resting beneath her breasts while the other hangs at her side.

The final picture featured gives viewers an opportunity to appreciate an almost full-length frontal view of Verotrois' nude physique. The experience is nothing short of breathtaking. Murrian has discovered an exquisite example of divine femininity in Verotrois. Morozov is a photographer with an eye for setting an impeccable stage upon which to accentuate the natural beauty of a doll-like young model.

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MetArt Galleries

Yolka: "Vigor" by Max Stan

Yolka is a high-energy and vivacious girl. This series by Stan manages to capture this aspect of Yolka's personality. Many of the pictures contained within "Vigo". reveal the model giggling and offer a glimpse of her playful personality. Yolka exudes beauty from the inside as well as the outside.

Yolka is nude from the outset of this photo shoot. Her long dark hair flows freely as she relaxes in the dry heat of a sauna. The interior of the sauna is composed of light wood. It is this backdrop that compliments the dark skin tones of Yoka's bare flesh. The lighting chosen by Max Stan is set at the perfect intensity to accentuate this model's amazing physique.

The cover photograph for "Vigor". presents an image of Yolka looking to the side. One of her hands rests by her glowing face. The model's dark eyes are hypnotic. Yolka's petite frame glistens with sweat. Her hair black hair is damp and clings to her slender torso. Yolka's legs are folded beneath her body and reveal the young woman's limberness. A ledge sits behind Yolka and offers a resting place for one of her elbows.

The next photograph pictures Yolka standing in the doorway of the sauna. The model leans against the doorway and gazes directly at Stan's camera. A soft smile graces Yana's pretty face. Loose tendrils of hair stick to the space between the model's firm breasts. The feeling evoked by this photograph is one of Yolka as a demure vixen. She is well aware of the power of her feminine charms, however, though she maintains a down-to-earth friendly attitude with those she meets.

Yolka poses sitting upon the floor of the sauna. The model's knees are bent so that the well-groomed area between her thighs is bared. Yana's hands are entwined within the strands of her long hair and an open smile is set upon her sweet facial features. The model's eyes are vibrant and express her zest for life and meeting new people. Yana's smiling lips reveal her dazzling white teeth.

The final photograph featured from "Vigor". is a picture showcasing the exquisiteness of this model's backside. Yolka leans against a wall and invites viewers to survey the curves of her well-proportioned buttocks. The looks over her shoulder and flashes one of her brilliant smiles. Yolka is fast becoming one of the starlets of Met-Art. This gallery is an excellent indicator of why she is capturing the hearts of those who appreciate fine beauty.

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MetArt Galleries

Dasha B: "Presenting Dasha B" by Goncharov

Goncharov creates a sense of intimacy and drama with the use of setting, costuming, and lighting while photographing Dasha. The youthful blonde-haired enchantress is clad in a champagne-colored corset and nude fishnet thigh high stockings. The corset is secured by a zipper that the model has partially unzipped to reveal a hint of her cleavage. Dasha noticeably appears without panties from the outset of the gallery.

Coordinating champagne-hued drapes edged with tassles, ivory sheers, and white bed lines provide princess-like surroundings in the opening pictures. Goncharov includes landscape and portrait style photographs throughout the series to frame the graceful beauty of Dasha. The photographer captures an astounding array of intriguing poses of Dasha.

The model's shoulder-length blonde hair is styled naturally and very few cosmetic enhancements are used on the model's face. The subdued color palette and the innate prettiness of Dasha are part of the appeal of this debut appearance by the model.

The cover picture of this gallery is an image of Dasha nestled amidst the folds of cascading curtains. The model is looking downward with a gentle countenance upon her face barely discernable beneath wispy blonde bangs. The smoothness of Dasha's bottom and the space between her thighs is visible as the model shifts her slight weight on her arms positioned behind her.

Dasha lowers the zipper on her corset even further in the next showcased photo. The blonde's natural breasts with delicate nipples are the focal point of this shot. Dasha is seated at the edge of the bed with drapes flowing behind her. The model's attractive facial profile is captured in this picture.

Goncharov offers sensual views of Dasha's bottom in many of these debut photographs. The selected picture from these shots show Dasha laying on her stomach at the edge of the bed with her backside at the forefront of the picture. The model leans into the gossamer white sheets and offers a partial view of her face.

The latter part of this gallery features Dasha in a variety of poses with a black leather sofa. The fairness of the youthful model contrasts starkly against the darkness of the furniture. Dasha sits on the arm of the couch with one of her feet touching a hardwood floor and the other resting on the sofa. The model's gaze is direct and teasing. Dasha pulls at the zipper at the center of her lingerie as if she is ready to reveal what lies beneath.

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MetArt Galleries

Jade: "Prima" by Vitali Gubin

Jade is one of the most popular models of Met-Art. It is more than her classic facial beauty and voluptuous physique that give her the status of being a stellar model at Met-Art. This young woman has an ethereal presence that is truly otherworldly. Jade embodies the theory of perfection in physical form. Vitali Gubin keeps the anticipated images of Jade fresh and intriguing through an eclectic mix of galleries he brings to the pages of Met-Art.

Jade's mesmerizing blue eyes, delicately blushed cheeks, and rosebud lips are framed by a crown of straight strawberry hair in the cover photograph for this series. The model's shoulders are pushed back and Jade's full round bosom is prominently on display. Jade sits upon a chair with her stocking covered legs parted unapologetically. A serious countenance is set upon her doll-like facial features. A textured background of muted melon and gold provides a backdrop for this first photograph. Jade appears regal as she poses seated upon a velvety upholstered chair. One can imagine the plush material cradling the model's derriere.

A backdrop of colorful geometric shapes lends a feeling of modernism to the next featured photograph. Jade is clad in a sheer burgundy blouse she is in the process of removing. The model's generous breasts are revealed. Jade is pictured in a stance with her slender legs apart. Faint tan lines can be detected as one surveys the model's lean form. Jade's fresh face absolutely glows in this photograph.

The same backdrop continues in the third photograph highlighted. Gubin captures the model posing on bended knees. Jade's sheer blouse encircles her tapered waist. Jade's pale eyes are fixed in an upward gaze and her face is tilted against a raised arm. One of the model's hands rests upon one of her creamy ivory breasts and draws the eye.

The final photograph from this gallery returns to the opening background of melon and gold. The colors are a perfect selection by Gubin to compliment the peachy tones of Jade's complexion. The photograph showcases Jade's perfect heart-shaped buttocks, shapely legs, and flawless flesh. Vitali Gubin manages to frame the perfection of Jade's backside in this photograph. The fishnet stockings and the raised gold pattern that adorns the walls add texture and interest. A bit of Jade's fiery ponytail rests upon her shoulder. A hint of the softness and warmth between Jade's thighs is also visible in this photograph.

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MetArt Galleries

Julia Ah: "Musing" by Joanna Edwards

Julia is a sophisticated and mature model that dazzles with her presence. Her shoulder length crimped locks are a deep shade of auburn and frame perfectly her exquisitely sculpted facial features. The series opens with Julia seated upon an ebony leather sofa. A coffee colored wall provides a splash of rich warm color behind her form.

The model is clad in a white net covering. Black high heels with sexy ankle straps adorn Julia's feet. Several strands of shimmering pearls are draped around the model's neck. A pearl bracelet decorates one of her wrists. The simplicity of the elements contained within "Musin". showcase the supreme charms of Julia eloquently.

The cover photograph introducing this series reveals a magnificent view of Julia's feminine physique. The model pulls her hair up at the back of her head with one of her hands while the other rests at her neck. Julia's gazed is fixed upon a faraway point and captures the essence of the title of this gallery: musing. The model's face is turned sideways so that the lines and contours of her profile are highlighted. The lighting behind Julia gives her fiery hair the illusion that it is aglow. This is a powerful picture and tempts one to review the entire selection of one hundred photos contained within the gallery.

Edwards offers a close-up photograph of Julia that highlights her bright and engaging eyes, prominent cheekbones, and full lips. Feathery layers of auburn hair cling to the model's refined facial structure. One of Julia's uniquely manicured hands is positioned upon one of her smooth shoulders. Each of her nails shimmers with golden tips.

Julia is photographed seated upon the leather sofa in the next picture. The white throw that initially covered her amazing physique at the outset of the series is draped over one of the model's thighs. Julia's flawless breasts are one of the undeniable focal points of this picture as well as the slenderness of her torso.

The last photograph featured from "Musing". presents a stunning full-length image of Julia's statuesque form. The model poses in a standing position in front of a leather arm chair. Her lithe and taut form is shown in all of its glory. Julia's breasts are extremely full and round for her slight frame. She is a goddess of femininity. Viewers will undoubtedly be awaiting a return appearance by this talented model.

See the latest erotic photography galleries at Met-Art.com

MetArt Galleries

Natasha G: "Premier" by Gubin

Gubin presents a new gallery featuring Natasha in this latest offering. The model appears topless from the outset of the series. Her breasts are certainly one of her most appealing assets. They are firm, pert, and proportioned perfectly to the rest of the model's slender physique.

The background for "Premier". consists of a fireplace, greenery, and champagne colored drapes. These details are unobtrusive, however, throughout the entire series. Natasha is clearly the lotus of attention. The sandy-haired model has no difficulty garnering that attention either as she reveals each inch of her taut and tanned flesh.

Natasha is photographed in a semi-sitting position in the picture announcing "Premier". She is clad only in a pair of black stockings and a lace garter belt. The garters are not attached to the hosiery, however. One of the garters strays between the intimate space which lies between Natasha's toned thighs. Natasha stares sensuality into the eye of Gubin's camera. Her mouth is open and offers a glimpse of the model's stunning white teeth.

Natasha wears a skirt covered with geometric patterns. Colors of teal, green, tan, and black are part of the tapestry of the print. Natasha's hair is pulled into a bun at the back of her head and secured with a teal hair accessory. A double stranded necklace of ivory pearls encircles the model's neck. Her facial expression is relaxed and peaceful. Natasha is comfortable in front of the camera. One of the diva's hands rest upon her abdomen while the other is placed behind her head.

The firmness of Natasha's petite bottom is evident in the next photograph. The model presses her hands against a richly textured wall. Her buttocks curve just beneath the black lacy garter circling the model's hips. Natasha eyes the camera as she assumes this position.

Natasha exhibits her electric sense of sex appeal in the final picture featured from "Premier". The model kneels upon a hardwood floor. She rests one of her hands on a deep green leather sofa. Natasha keeps her stockings and garter on throughout the entire series. The lighting in this picture is subdued and adds to the sense of drama that the model evokes. Sensuality is present and overwhelms the entire composition of the photo. This is a talent that Natasha brings to each one of her appearances and perhaps one of the reasons she consistently ranks as one of the top models at Met-Art.