MetArt Galleries
METART Galleries offers the largest, freshest, classiest collection of female nude art and fine photography in the world. The daily updated site offers beautiful, natural, nude girls captured in sensuous, professional, dazzling photos of the highest aesthetic quality by the world's best photographers! METART Galleries also has a massive archive of high quality DIVX movies! METART Galleries is a complete immersion in flawless beauty. METART Galleries is just pure art.
Wednesday, February 28, 2007
MIKIRIAS
FREYA: "MIKIRIAS" by RYLSKY
PRESENTING VERONICA
VERONICA: "PRESENTING VERONICA" by ERRO
JIRISILEAS
KSUCHA, IRISHKA: "JIRISILEAS" by GONCHAROV
19
NATASHA: "19" by VOLKOV
MetArt Galleries
Jade: "Trace" by Vitali Gubin
Jade moves like an ethereal creature from another time and place. A dimly lit backdrop of midnight blue hues adds an element of mystique to the captivating diva's presence. Colorful beads adorn her neck and slight wrists. The model's unbelievable bosom is bared from the beginning of the film. A heavily beaded belt encircles Jade's voluptuous hips. A pair of sheer fishnet stockings cling to the model's curvaceous buttocks and long toned legs.
The soundtrack accompanying the movie is mellow and intensifies the viewing pleasure of the film. Jade has the ability to communicate clearly with her movements and her steely gaze. Her lovely hands caress her full breasts and smooth abdomen. They trace each line and curve of her physique throughout the entire movie and this is perhaps part of Gubin's inspiration behind the titling of this work.
Gubin uses the devices of fading throughout the movie. Jade appears and reappears as lovely as ever each time. At one point the model disappears through a dimly lit doorway. She is next featured against a hazy lavender backdrop induced by colored lighting. Jade moves to a bed without her stockings though she retains the beaded belt around her hips.
The model stirs the imagination as she stretches and preens upon the bed. Gubin uses his camera to highlight the most intimate places of Jade's form. She poses upon parted bended knees and moves her hips in a sensual serenade. Jade runs her hands through her long straight red hair and tilts her lovely face in every conceivable angle. Her expression ranges from serenity to pure ecstasy. This seductress is truly enchanting and manages to weave a spell that transcends the effect that still photography can offer. This medium allows viewers to appreciate the full effect of her vitality and feminine wiles.
MetArt Galleries
Olga C & Katya V: "Tempt" by Voronin
These two friends have had their share of differences in their relationship as well. Olga is fiery and opinionated while Katya is more sensitive and reserved. These opposing qualities usually offer a balance in their friendship yet there have been times that Olga's dominating nature has prompted Katya to pull away from Olga's company. This isn't the case at the time that Voronin photographed these two vixens, however. Olga and Katya are definitely enjoying each others company as Voronin chronicles the rendevouz in a private bedroom setting.
Katya stares directly at the photographer and poses with one of her shapely legs wrapped around Olga's hip in the cover photo for "Tempt". Olga caresses the contours of Katya's leg while a serene smile and half-closed eyes washes over her sweet face. The women's bodies are pressed close together so they can hear the beating of each others hearts.
Another picture selected from this series presents an image of Katya staring longingly at Olga who has her face slightly tilted and her eyes again half-closed. Katya does adore the powerful presence that Olga exudes wherever she appears. This is a picture that manages to communicate the complex and cherished friendship Olga and Katya share. It also offers a view of the two women's exquisite chests. There are other photos in this gallery that translate the deep attraction that Olga holds for Katya. Olga rests her bottom on a bureau while Katya stands in front of her with her own full round derriere poised in the direction of the photographer. Katya's hands are situated on Olga's curvaceous hips while her brilliant eyes are locked on the camera. Nature-inspired shell and beaded necklaces adorn the models' necks.
The final photo featured from "Tempt". pictures mirror images of Katya and Olga. This particular picture perhaps inspired the titling of this gallery because of its scintillating ambiance. Olga is positioned directly behind Katya. The warm soft place between Olga's legs is pressed against Katya's backside. The blonde-haired model has her arms extended above her head. Voronin has created an illusion that would tempt the strongest of wills with this picture.
OLISTIKA
KIRA: "OLISTIKA" by VORONIN
PRESENTING ANASTASIA
ANASTASIA: "PRESENTING ANASTASIA" by MAX STAN
LITHSOS
TANYA: "LITHSOS" by TIM FOX
MetArt Galleries
Verotrois: "Golden" by Richard Murrian
The titling of this series perhaps was inspired by the flaxen hair and fairness of Verotrois. The photographer accentuates the model's attributes by using shades of gold as a backdrop for the photo shoot.
Verotrois' image is introduced with a cover photograph picturing her nude form sitting upon a bed accentuated with a wrought iron headboard, richly textured pillows, and geometrically patterned bedding. Gold painted walls surround the petite teen model. There are a lot of elements besides the breathtaking beauty of Verotrois that make this series successful on so many artistic levels. The model's countenance is decidedly demure in the cover picture for "Golden". Her legs are positioned in a way that hides her most intimate female anatomy yet the model's breasts are exposed.
Verotrois is like a blonde goddess of youthfulness. She first appears dressed in a black tank top embellished with silver eyelets and coordinating panties and sheer black thigh high stockings. Sexy black high heels adorn the model's small feet. Verotrois is dressed like a siren yet her face is full of innocence and almost void of cosmetic enhancements. This is a model who truly represents the often overused phrase of natural beauty.
Murrian captures Verotrois exhibiting a startling range of emotions throughout "Golden". In one photograph, the model lays on her stomach with Murrian photographing from a close range. Verotrois' gaze is direct and commanding. There are other pictures that show the model seemingly sad, contemplative, and pouting. Verotrois' modeling talents are staggering and showcased by Murrian's creative talents.
Another photograph picturing Verotrois laying upon her stomach offers a full view of her smooth and unblemished derriere. A charcoal gray comforter is spread beneath the model's nude flesh. The lines and contours of her youthful form are irresistible.
The final photograph featured from "Golden". shows an image of Verotrois posed in a kneeling position. She holds onto the headboard of the bed with one hand and rests her other hand across her abdomen. This picture reveals a view of the model's most intimate areas. The blonde stares at the camera with a half smile gracing her sweet lips and one can only wonder what kind of sensual thoughts are swirling through her mind.
Tuesday, February 27, 2007
MetArt Galleries
Natasha G: "Star" by Gubin
Crimson red lipstick colors Natasha's lips and draws attention to the dazzling whiteness of her smile. Her highlighted chestnut hair flows freely in long layers that frame her refined facial features. The model's pale eyes are one of her most defining features. They are mesmerizing in their intensity.
The backdrop for "Sta". chosen by Gubin is comprised of powder blue walls and a kaleidoscope of pastel wallpaper. A divider strip of coordinating border trim unites the d�cor that provides a simplistic canvas against which the powerful presence of Natasha is showcased. A shiny wooden tabletop is also part of the series and provides a pedestal upon which Natasha expertly poses as the gallery progresses. The warm brown luster of the table compliments the model's tanned skin tones as well.
The cover photograph for this gallery offers viewers an immediate indication of the high quality images contained within. Natasha sits upon the shiny table with one of her shapely legs hanging off the edge and the other slightly bent. The darkness between her thighs is prominent. The boa is wrapped around her tiny waist and trails behind her. Natasha pulls one side of her long tresses away from her face and leans her torso back. The model's exquisitely formed breasts are bared.
Natasha leans against the wall while glancing over her shoulder in the direction of Gubin's camera in the next featured picture. She stands with one of her legs lifted off of the floor. The most interesting point of this photograph is the sweet smile that graces the model's lips. This view of Natasha exemplifies the loveliness of her face. Her long hair streams down her sculpted back and draws the eye to the roundness of her derriere.
Gubin integrates movement into these still photographs by capturing Natasha curls of her hair is blown away from the profile of her face. The model rests a manicured hand upon her neck as she gazes away from the camera. The toned lines of Natasha's legs and arms are visible in this shot.
One of the final pictures from "Star". offers a revealing look at Natasha's body and could have just as easily been chosen by Gubin as the cover shot for this gallery. The model reclines her form upon the table and showcases the flexibility of her legs. Natasha's expression is one of daring and confidence.
MetArt Galleries
Alena and Katya: "Together" by Voronin
The models each bare their firm bosoms from the opening of the series. Colorful sarongs accentuate their curvaceous hips and interesting necklaces adorn their necks. The wraps cling to each contour of these seductresses form. Voronin expresses his sense of unique fashion and artistry through the colors, styles, and patterns he selects for his models. This series is no exception to this master photographer's eye for detail.
The introductory photo for this gallery chosen by Voronin pictures Katya with her hand poised on Alena's full round derriere. Each model offers inviting glances that engage viewers to join them in their frolics. Alena's well-formed buttocks are fully exposed in this opening photo. Katya has pushed Alena's wrap upward enough to expose her tight assets.
Voronin provides several up close and personal photos that highlight the more intimate aspects of the relationships Alena and Katya share. The models are photographed with flesh upon flesh. Katya eyes Voronin's camera while Alena showcases one of her taut breasts. Katya maintains her eye contact with the camera even while her scent is permeating Alena's space.
Alena and Katya pose without clothing in the next photograph. Each petite model presses their forms against one another. Alena wraps a protective arm around Anna as the photo shoot progresses. The forms of these young models are heart-stopping.
The last photo from this gallery is truly a work of photographic expertise. Anna's lovely face is photographed as she poses with Alena's amazingly formed buttocks. The background for this photograph is so dark that the two highlighted models are the only possible focus. The photographer aligns the pairing of models based upon his creative vision. The selections featured in this edition of Met-Mag exemplify this Voronin's work at its best.
Monday, February 26, 2007
MetArt Galleries
Verotrois: "Golden" by Richard Murrian
The titling of this series perhaps was inspired by the flaxen hair and fairness of Verotrois. The photographer accentuates the model's attributes by using shades of gold as a backdrop for the photo shoot.
Verotrois' image is introduced with a cover photograph picturing her nude form sitting upon a bed accentuated with a wrought iron headboard, richly textured pillows, and geometrically patterned bedding. Gold painted walls surround the petite teen model. There are a lot of elements besides the breathtaking beauty of Verotrois that make this series successful on so many artistic levels. The model's countenance is decidedly demure in the cover picture for "Golden". Her legs are positioned in a way that hides her most intimate female anatomy yet the model's breasts are exposed.
Verotrois is like a blonde goddess of youthfulness. She first appears dressed in a black tank top embellished with silver eyelets and coordinating panties and sheer black thigh high stockings. Sexy black high heels adorn the model's small feet. Verotrois is dressed like a siren yet her face is full of innocence and almost void of cosmetic enhancements. This is a model who truly represents the often overused phrase of natural beauty.
Murrian captures Verotrois exhibiting a startling range of emotions throughout "Golden". In one photograph, the model lays on her stomach with Murrian photographing from a close range. Verotrois' gaze is direct and commanding. There are other pictures that show the model seemingly sad, contemplative, and pouting. Verotrois' modeling talents are staggering and showcased by Murrian's creative talents.
Another photograph picturing Verotrois laying upon her stomach offers a full view of her smooth and unblemished derriere. A charcoal gray comforter is spread beneath the model's nude flesh. The lines and contours of her youthful form are irresistible.
The final photograph featured from "Golden". shows an image of Verotrois posed in a kneeling position. She holds onto the headboard of the bed with one hand and rests her other hand across her abdomen. This picture reveals a view of the model's most intimate areas. The blonde stares at the camera with a half smile gracing her sweet lips and one can only wonder what kind of sensual thoughts are swirling through her mind.
MetArt Galleries
Hanna & Inna: "Unitas" by Voronin
The young women first appear dressed in camisoles and panties. Hanna is dressed in blue while Inna wears white. The brunette model wears a diamond studded headband and dangling diamond earrings. Inna's chamisole is accented with satin ribbons. A wooden paneled door and plain white walls provide a blank canvas against which to highlight the dazzling beauty of these vixens.
The cover photograph from this series gives a sneak preview of the models without their lingerie. Hanna stands behind Inna with one of her slender arms wrapped around Inna's slight waist and the other resting upon her smooth shoulder. Inna allows one of her hands to lay on Hanna's toned thigh. The model's bare flesh is pressed together and the warmth generated from their body heat is palpable. Inna's flawless physique is fully visible while only a hint of Hanna's voluptuous body can be seen in this particular photograph.
Voronin provides a close-up shot of the two beauties standing side by side in the next featured photo. Inna puckers her luscious pink lips and eyes Voronin's camera coyly. This is a model who exudes sensuality. She cocks her hips slightly, pressing into Hanna's torso. The raven-haired teen posing beside Inna sweeps her long hair away from her glowing face and smiles sweetly. Hanna seems to be conveying with her dark eyes an invitation to join the ladies as they explore one another's charms. Inna, on the other hand, is confident that viewers won't be able to resist whether an invitation is extended or not.
The models shed their camisole tops for the next photograph. The tender derrieres' of the young women is the undeniable focal point of this picture. They retain their thong panties but the perfect contour of their buttocks is on display as they stand hip to hip. Hanna pulls back Inna's fiery locks and gazes at her friend's lovely profile. Inna wraps a slender arm around Hanna's full bottom and pulls her close.
The final photo featured from this collection gives viewers a full view of both models' amazing forms. Both women are completely nude and standing side by side. Hanna is focused upon Inna beside her while Inna eyes Hanna with a sultry gaze. This stunning gallery is a shining example of the immersive aesthetic experience offered only at Met-Art. Inna and Hanna embody natural feminine beauty in its purest form.
MetArt Galleries
Liza and Jenya aka Katie Fey: "Encore" by Voronin
Liza wears lime green lingerie with scarlet accents to compliment the scarlet bra and panty set worn by Jenya. The long shapely legs of both models are clad with leggings. Liza and Jenya each wear high heels that further emphasize their tall slender physiques. As the photo shoot progresses, black satin ribbons encircle the model's necks. They retain their sexy stockings until the end of the photo shoot.
The photograph introduction to the series is astounding in the way that the model's physiques are emphasized. The two are pictured standing atop a bed against a backdrop of mint green walls. They are posed in a suggestive stance. Liza is positioned behind Jenya. Liza pulls at the dark-haired model's long thick mane as shadows outline the unbelievable curves and lines of the two women's bodies.
The next picture is from the opening of the photo shoot. Both models are dressed in lingerie. Jenya pulls Liza close to her with the placement of her manicured hand upon the blonde's forehead. Jenya's face is pressed against Liza's hair. Liza crosses one of her arms over Jenya's body and pulls the model closer to her by pulling on one of her hips. The models' legs are intertwined to suggest an overwhelming sense of intimacy.
The third photograph highlighted from this collection speaks volumes even through the medium of still photography. The two gorgeous women are pictured in a kneeling position upon a bed. They lean toward one another, close enough for one of Jenya's breast to graze one of Liza's slender arms. Both women lock eyes with Voronin's camera as Liza poses with a single finger pressed to her lips. It is the universal message of "Shh! this is our secret". It is as if the models are inviting viewers to participate vicariously in their rendezvous under the condition that their erotic tryst is kept under wraps.
The forms of Liza and Jenya are again showcased in the final photo selected from this gallery. Jenya's muscular abdomen is one of the focal points of this photograph. The flaxen-haired model has a body that is toned beyond belief. Jenya's voluptuous body is positioned slightly behind Liza. She holds onto one of Liza's shoulders and places her open mouth upon one of Liza's shoulders in a carnal gesture. This is theme that dominates the entire series.
MetArt Galleries
Jade: "Infinity" by Vitali Gubin
Gubin has chosen an easy-going soothing soundtrack to accompany this movie. The music has a flowing quality that truly enhances the viewing experience and compliments the gentle graceful movements of this auburn-haired model. There is an understated sensuality that is inherent in the music. It is at once timeless and modern - like the beauty that Jade possesses.
The film opens with Jade dressed in nothing but a sheer white skirt-like wrap accented with fur and black thigh high stockings. The model wears a pair of black and white high heels. Several strands of ivory pearls adorn Jade's neck and a coordinating bracelet encircles her delicate wrist. The model's large creamy breasts are exposed from the beginning of the film.
The model poses in front of a set of rich wooden steps. The stairrway is decorated with red and ivory wallpaper imprinted with a classic design. Jade's long straight hair frames her ravishing face and cascades down her flawless ivory back. The model's gaze is direct and inviting. Her movements are slow and deliberate.
Jade doesn't waste much time before removing her wrap to reveal the smoothness between her thighs. The model is skilled at using her perfectly manicured hands to teasingly trace the contours of her physique. She holds onto the spindles of the staircase as she twirls and tastefully gyrates in front of Gubin's camera.
The filmmaker gives viewers several close-up views of the model's most intimate places. Gubin uses fading and different angles to add interest to this nine minute Met-Art exclusive film. The model, at different points throughout the film, makes direct eye contact with Gubin's camera and the effect is almost heart-stopping. Jade's presence is as the title suggests, boundless and vast beyond imagination. She possesses a brand of beauty that effortlessly holds the attention.
The fair-skinned goddess slowly backs up the stairs as Gubin follows her each step of the way. One particularly erotic scene of the film captures Jade as one of her full breasts grazes against a hard smooth finished post. This scene is very suggestive.
The beat of the soundtrack accompanying the film begins to pick up toward the end of the movie - and so does the degree of passion exuding from Jade. She sits upon the wooden steps and allows her legs to open for Gubin's camera. Jade arches her back and stirs the imagination with her provocative positioning. The red-haired vixen exits the film via a slow ascension.
Sunday, February 25, 2007
MetArt Galleries
Evelyn P.: "Qualitas" by Tim Fox
The photograph selected by Tim Fox to represent this series offers an image of Evelyn seated on a golden oak hardwood floor. The tone and texture of the wooden flooring compliments the smooth tanned complexion of the model. Evelyn is positioned in a side-sitting position with one of her legs in a bent position. A view of the pink flesh between the model's legs is prominent. Seductive black diamond-studded high heels are also a focal point of this picture.
Fox presents a pleasing photo of Evelyn that showcases the model's upper body and face. Evelyn's black hair is pulled into a single braid. The styling of the model's hair allows the dazzling radiance of her face to shine. The cosmetic enhancements of eye shadow, blush, and lipstick are applied flawlessly and compliment the innate prettiness of the model's facial features. A profile view of one of Evelyn's pert breasts is also a notable part of this picture.
Evelyn is photographed lying on her back in the next picture. The model raises her hips toward the ceiling and opens her legs widely in a pose that stimulates the imagination. Cameraman Fox photographs Evelyn from an angle that adds interest to this already riveting photo. Her face is as much a focal point of the photograph as her supreme physique. The model's arms are posed eloquently. Her manicured nails are polished and pristine.
The last picture featured from the gallery "Qualitas". offers an explicit view of the feminine space between the model's parted thighs. Evelyn leans back onto her arms extended behind her back. She casually bends one of her knees to enable Fox's camera access to her most private area. The lighting is soft and unobtrusive. The background of the picture is awash with ivory tones. Evelyn is clearly the lotus of this final photograph. She commands the attention with her regal presence. Photographer Fox's eye for refined beauty and his ability to showcase it is evident in this exceptional series.
CRITERION
KATYA: "CRITERION" by PASHA
ILLISSA
YOLKA: "ILLISSA" by MAX STAN
ROSES
RUDY: "ROSES" by ANDRE LE FAVORI
TAKEIA
LIZA: "TAKEIA" by VORONIN
RIFIFI
RUDY: "RIFIFI" by ANDRE LE FAVORI
LIRIKAS
VERA, TANYA: "LIRIKAS" by GONCHAROV
PRESENTING KATE
KATE: "PRESENTING KATE" by VOLKOV
PRESENTING AUBREY
AUBREY: "PRESENTING AUBREY" by ANDY BAKER
MetArt Galleries
Inna: "Pesca" by Voronin
Inna is dressed in a matching ivory lingerie set. The bustier and panties are covered with delicate pastel colored butterflies. Satiny tangerine laces secure the back of the top and the sides of the panties. Vibrant lime-colored earrings are the only jewelry worn by the vixen and pick of the hues of the high heeled shoes worn by Inna. The model holds a hot pink feather fan in her hands as the gallery opens. The vivid splashes of color from the earrings, laces, and fan accessories add a striking artistic quality to these pictures. Voronin routinely uses creative combinations of color when photographing Inna. She is a woman whose beauty is accentuated by any color scheme.
The introductory picture for "Pesca". shows an image of Inna photographed in a crouching position. The model looks over her shoulder at viewers. The v-shape lines of the model's panties compliment the contours of Inna's smooth buttocks. Crisscrossed laces run down Inna's back and the tail of the laces hang at the sides of her body. The model's sky blue eyes and peach complexion glisten.
The next picture showcased from this gallery shows a front view of Inna standing with an opened fan in front of torso. The model's face is turned to the side so that the refined features of her profile are visible. Inna's long auburn hair is pulled back at the sides and offers an unobstructed view of her heavenly beauty.
Voronin changes the intensity of the lighting as the gallery progresses. The photograph featured next offers an image of Inna removing her panties. Shadows cling to the outlines of the model's form. A titillating glimpse of Inna's most secret femininity is visible as she pulls at her panties. Voronin chooses an angle that hovers above the model lying upon her back with her body stretched out.
Inna's physique is displayed against a backdrop of shimmering gold in the final photograph reviewed. The model has shed her lingerie and offers her nude form without reserve. Inna's head is turned to the side but her sensual gaze is visible beneath half-closed eyelids. The model's succulent lips are inviting.
MetArt Galleries
Koika: "Icona" by Ingret
Koika's blonde hair hangs loosely and naturally. Her free-flowing locks are the palest shade of blonde and compliment her fair complexion. This model's facial features are perfectly symmetrical and capture the essence of timeless beauty. Her eyes are clear and shimmer with a shade of blue-green. A glossy hue of pink glistens upon the model's full pouting lips.
The cover photo introducing this gallery pictures Koika dressed in an ebony lace lingerie top and black thigh high stockings. The photograph focuses on the model's firm sculpted buttocks. Koika's lovely face is also featured as she looks over her shoulder toward Ingret's camera. Her face is full of vitality and youth. There is also a hint of budding sensuality present in her gaze.
Koika is next presented in a photograph that frames her doll-like face. The model's long platinum wavy hair is swept to one side so that her facial profile can be admired. Her shining eyes are riveting. The smooth contours of her cheeks, forehead, and chin are flawless. One of Koika's hands is teasingly slipped inside the front of the belt that rests upon her hips. Her other hand rests beneath one of her breasts.
Ingret provides a tastefully alluring photograph of Koika posed in a sitting position with the intimate space between her thighs clearly exposed beneath the pattern of fishnet stockings. The model's knees are pulled together but her thighs are slightly parted. Koika's facial features are set in an expression that highlights her youthful appearance despite the exotic clothing she is dressed up in.
Koika removes her clothing as the photo shoot progresses. She is captured by Ingret in a kneeling position that showcases her nude physique. The model's breasts, toned abdomen, and slender limbs are bared. Koika retains her thigh high stockings but she has shed the rest of her clothing. The model's long hair trails behind her shoulders and her refined facial features are riveting.