MetArt Galleries

Katya: "Spellbound" by Natasha Schon

This photographer has the ability to create the softest and most intimate portrayals of the models showcased. Schon has an eye for exquisite and timeless beauty. The galleries offered by this photographer never disappoint the most discriminating connoisseur of fine nude art photography,

Katya is a dynamic model with refined bone structure from head to toe. Her flesh is smooth and reminiscent of nirvana. A silver jewel is nestled within her naval the space just above the area that most viewers would relish exploring. The model's free-flowing highlighted locks frame her sculptured facial features and rest upon her bare shoulders.

Natasha is reclined with her one of her legs extended beyond the camera's focus and the other bent yet the space between them is revealed. The expression that graces Katya's lovely face is peaceful and inviting. She pulls nonchalantly at the ends of the hair spread beneath her head. The models lips are suggestively parted just as her legs are. This is the cover picture offering a preview of the quality of the photographs contained within this collection.

The first photograph revealing Katya's ability to leave viewers spellbound gives viewers an opportunity to lock eyes with this bold vixen. Her gorgeous breasts with tan lines are scintillating. Katya is a woman who is comfortable with her sensuality. She has no qualms about offering her unblemished form for inspection. She is confident in her beauty. Natasha's ivory complexion shimmers with vitality.

The next picture from "Spellbound". suggests a sense of vulnerability as well as an invitation to explore the contours of this model's physique. Natasha poses with her blouse raised above her breasts. Her arms are extended beside her head so that her body is open for exploration. The intonation of rapture imbues Natasha's face. This photograph suggest that she is waiting and willing for a lover to join her.

Natasha strikes a pose in the next photo that reveals explicitly the artistic curves and lines of her form. A bracelet encircles the model's right wrist but this is an after-the-fact observation while admiring her fine breasts and the lightness that lies between her thighs. Schon is a master at creating complimentary lighting and integrating the natural backdrop of wood and greenery. The photographer has the ability to make these elements unobtrusive.

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MetArt Galleries

Narkiss: "Geisha" by Slastyonoff

Narkiss is a model who adores dressing up and exploring different personas. This series by Slastyonoff was an opportunity for the young blonde model to explore the make-believe world of a Japanese geisha girl. The traditional geisha is a woman trained since girlhood in conversation, dancing, and singing for the sole purpose of entertaining gatherings of men. Narkiss is adept in all of these areas despite her absence of Japanese heritage, so this series truly compliments all of the aspects of who she is.

The photograph selected by Slastyonoff for the cover of this series highlights the hallmarks of Narkiss' appeal that regular Met-Art readers have come to appreciate. Narkiss has large blue eyes that reveal a hint of eroticism and untold secrets. Her generous ivory bosom compliments her slender physique and gives her the voluptuous figure associated since the beginning of time with feminine mystique. There is a naturalness to Narkiss' beauty that can't be replicated or faked it's something she achieves each time her image is immortalized through film. The model poses with her ebony polka-dotted robe opened to reveal her womanly physique. Her blonde tresses are secured with Japanese-inspired adornments. She holds a bamboo fan in one of her hands as an accent piece.

Slastyonoff offers a unique artistic photograph comprised of the most intimate aspect of Narkiss' body. The model holds her fan to add interest to the photograph. The polka-dots that adorn the model's robe add texture to the picture. The lighting chosen by Slastyonoff gives the explicit content of the photo a tasteful sense of softness.

The next photograph featured from this collection is composed of Narkiss posing upon bended knees. Her expression is one of reserve but her eyes rarely shy from the inspection of Slastyonoff's camera lens. Narkiss' exceptionally flat abdomen is unmistakable as the model is captured in this position. Her firm breasts are also a focal point of the photograph. Slastyonoff has chosen a neutral background for this photo shoot. The walls and flooring are an unobtrusive shade of beige. The effect results in Narkiss' presence as the dominating factor throughout the gallery.

The last photo selected for review from this series gives viewers the opportunity to admire the smooth exquisiteness of Narkiss' bottom. She lays upon her side with her derriere at the forefront of the photograph. Her robe is draped around the middle of her torso and the model maintains her eye contact with the camera. The classic beauty of Narkiss' facial features commands the attention as much as the temptation to focus on her backside. This is the power of the allure this Met-Art favorite possesses.

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MetArt Galleries

Narkiss: "Treasure" by Slastyonoff

Narkiss is one of the icons of Met-Art. Her body is evocative of the feminine form that so many artists, poets, and philosophers of the ages have attempted to capture. Slastyonoff manages to frame this model's timeless beauty in fresh and provocative galleries with each new submission.

"Treasur". is a study of shadow and light as well as modern and classic styles. The first part of the series showcases Narkiss with her blonde locks pulled tight and secured. She wears a satiny black camisole, thigh high sheer stockings, and leather high heel boots. She poses against a backdrop of muted smoky hues. Narkiss' smooth ivory flesh beckons to be touched throughout the unfolding photos. Bright white background lighting is alternated with subdued lighting in the opening photographs.

Narkiss also poses against the same grayish background with her shoulder-length tresses unsecured. She poses in various positions of repose upon folds of white cloth. These photographs are softer than the opening pictures. They expose this model's range of modeling talents. There is yet another setting included in this series. Narkiss stretches and preens her form against a solid-colored three rung ladder.

The introductory thumbnail for this series announces the 8000 pixel resolution of the gallery. The clarity of the images of Narkiss are clear and sharp. The model's long bangs partially occlude her lovely face but her breasts, slender waist, and sleek area between her parted thighs are open to the camera's eye. Narkiss is captured in a crouching position while her arms are outstretched and her hangs cling to a ladder behind her.

Slastyonoff also provides a head shot of this remarkable natural beauty. The model wears little cosmetics to enhance her refined facial features. A bit of gloss adorns her lips and faint eye liner outlines her large blue eyes that are framed by ultra-thin brows. A profile of one of Narkiss' breasts is visible in this highlighted photo. The backdrop is black and void.

Narkiss is also captured by Stastyonoff in a mode reminiscent of high-fashion photography. The model wears only thigh high lace stockings. Her full voluptuous breasts, slender waist, and voluptuous hips glisten against a background of colorless light. Delicate dangling earrings hang from the model's earlobes as she poses with one of her hands positioned upon one of her thighs.

This model's derriere is showcased in the last photograph from this gallery. Narkiss extends her arms above her head and allows a red string to trail down the valleys of her back and buttocks. The red string captures the eye and leads it along the length of this model's backside. It is Narkiss' sculpted bottom and toned body that dominate this particular photograph.

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MetArt Galleries

Inna: "Pesca" by Voronin

Voronin uses lighting to create some amazing effects in this gallery that showcases the provocative presence of Inna. The unobtrusive white backdrop of "Pesca". ensures that Inna is the focal point of the series. This model possesses the brand of beauty that demands the attention regardless of her surroundings but this choice by Voronin adds a stylish ambiance to "Pesca."

Inna is dressed in a matching ivory lingerie set. The bustier and panties are covered with delicate pastel colored butterflies. Satiny tangerine laces secure the back of the top and the sides of the panties. Vibrant lime-colored earrings are the only jewelry worn by the vixen and pick of the hues of the high heeled shoes worn by Inna. The model holds a hot pink feather fan in her hands as the gallery opens. The vivid splashes of color from the earrings, laces, and fan accessories add a striking artistic quality to these pictures. Voronin routinely uses creative combinations of color when photographing Inna. She is a woman whose beauty is accentuated by any color scheme.

The introductory picture for "Pesca". shows an image of Inna photographed in a crouching position. The model looks over her shoulder at viewers. The v-shape lines of the model's panties compliment the contours of Inna's smooth buttocks. Crisscrossed laces run down Inna's back and the tail of the laces hang at the sides of her body. The model's sky blue eyes and peach complexion glisten.

The next picture showcased from this gallery shows a front view of Inna standing with an opened fan in front of torso. The model's face is turned to the side so that the refined features of her profile are visible. Inna's long auburn hair is pulled back at the sides and offers an unobstructed view of her heavenly beauty.

Voronin changes the intensity of the lighting as the gallery progresses. The photograph featured next offers an image of Inna removing her panties. Shadows cling to the outlines of the model's form. A titillating glimpse of Inna's most secret femininity is visible as she pulls at her panties. Voronin chooses an angle that hovers above the model lying upon her back with her body stretched out.

Inna's physique is displayed against a backdrop of shimmering gold in the final photograph reviewed. The model has shed her lingerie and offers her nude form without reserve. Inna's head is turned to the side but her sensual gaze is visible beneath half-closed eyelids. The model's succulent lips are inviting.

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Tatyana : "Steamer" by Slastyonoff

The setting for this steamy photo shoot is set around the backdrop of a sauna and shower a perfect prescription for repose. The lighting is soft and subdued while the images of the model Tatyana are startling in their simplistic clarity. This is a young woman who commands the attention of all with her wide-open green eyes and short bobbed haircut that perfectly compliments her symmetrical facial features. The model's hair shimmers.

The cover photograph from "Steamer". reveals immediately the quality of the photographs contained within the full photo shoot. There are few who could resist the overpowering direct stare of this model as she poses with her most personal spaces on display for a close-up shot by Slastyonoff. Tatyana certainly earns her place as one of the most recently voted popular models of Met-Art. She is a relative newcomer but she stuns with her debut appearances.

The ivory ribbed walls of the sauna and the richly textured coordinating terry towels situated beneath the model like a velvety carpet provide an unobtrusive backdrop against which to highlight the innate charms of this sweet model with a girl-next-door presence. The series progresses to scenes in which Tatyana is showcased while showering. Shower scenes are a popular motif with many fine nude art photographers, but this model surprises with her unbridled sensuousness. Slastyonoff and Tatyana take this theme to a level that has rarely been captured.

Tatyana leans against the walls of the shower with her bottom positioned within inches of Slastyonoff's camera. Water droplets stream over the model's full round buttocks. Tatyana maintains contact with the camera with her clear and mesmerizing eyes. She looks over her shoulder in the direction of the viewer. Perhaps she is imagining in her mind's eye the desire that the exhibition of her form will create in those who peruse "Steamer".

Tatyana slides her body down the wall to a crouched position while facing the camera. The model holds a silver shower head in one hand while allowing her other to rest just above her most intimate female anatomy. Tatyana's lips are parted and her eyes beckon for someone to join her as she cleanses herself. The shower stream is suggestively directed to the area between the model's open thighs. The title of this series describes perfectly the content of this unforgettable series.

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MetArt Galleries

Andrea: "Gravius" by Voronin

The overall atmosphere of this series is one of softness. The lighting selected by Voronin is soothing and the model showcased seems to glow like a luminous angel throughout the pictorial spread. The lighting lends a sense of intimacy to the series as well. Andrea's impossibly long blonde tresses and finely sculpted refined facial features are striking with their perfection. She is truly an example of the classic beauty that Met-Art has become so well known for.

The only prop used by Andrea is a sheer white scarf. The model allows the light-weight ivory material to cascade and curl around her lithe form. The spotlessness of the gauzy wrap accentuates the purity and innocence that Andrea exudes with her presence. The filmy quality of the scarf clings to her ripe breasts even when they are covered beneath the softness of the wrap.

The backdrop seen throughout the gallery is a mixture of rich lattice-like woodwork, hardwood floors, an arched doorway, and cream-colored walls. The neutral palette of colors adds to the gentle subtlety of the entire series. The darkness of the wooden accents brings a sense of warmth to the portfolio that so beautifully frames Andrea's sublime femininity.

The introductory photograph selected by Voronin as the title holder for this gallery focuses on Andrea's curvaceous derriere and one of her pert breasts. The model poses with her back slightly arched and with one of her slender arms raised above her head. Andrea's pretty facial profile is clearly visible. Her eyes are closed and her full rose-colored lips are slightly parted. The model's long blonde locks hang all the way to her buttocks.

The following photo provides an up close look at Andrea's facial beauty. The model's hair is tossed to one side and away from her face. Her gaze is fixed firmly upon Voronin's camera. Tiny earrings hang from Andrea's delicate earlobes and one of her breasts is exposed from beneath the ivory scarf that covers her chest.

Andrea leans her toned form against a blank wall and allows one of her hands to rest upon a doorway. The model looks away and seems to be lost in her thoughts even as Voronin's camera captures the flawlessness of Andrea's smooth tender torso. A scarf covers the model's upper legs yet reveals a hint of the space between her thighs.

The final picture from this collection is a study of the artfulness that shadows can create when combined with powerful beauty. Andrea's exquisite bottom is unblemished and voluptuous. Her profile beckons to be traced by gentle fingers.

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Liza: "Aurus" by Voronin

This gallery by Voronin contains close to 200 photographs perhaps, in part, because it doesn't matter from what angle or under what lighting the photographer captures this golden beauty - she is simply breathtaking. Her tall lean stature commands the attention of the most discriminating admirer of nude artistry. Voronin has chosen an equally vast and encompassing backdrop against which to showcase this model's beauty. This is part of his talent and mastery of photography. He understands that Liza's pure vitality can hold up against the direct and natural lighting of intense sunlight. So he places the undisputable vixen upon a balcony against a sweeping landscape, sun-filled skies, and invites Met-Art viewers to behold her stunning allure.

The cover photograph from this series showcases the profile of Liza's facial loveliness. The model runs one of her hands through her windswept blonde tresses in this photo. Her sun-drenched shoulder-length hair is blown back from her face and reveals her finely sculpted bone structure, delicate nose, and captivating eyes. A hand-crafted hat suspended from strings graces her smooth back. The model wears a scant black string bikini adorned with a golden butterfly at the place where her exquisite buttocks meet with the small of her back. Liza's faint tan lines are barely noticeable as she poses for Voronin with an over-the-shoulder glance. The countryside backdrop is an afterthought as the viewer surveys the presence of Liza.

The next photo featured from this amazing collection by Voronin shows Liza posed in a crouching position without her string bikini. The model wears dangling black earrings and several necklaces but the embellishments are secondary to the unobstructed view of Liza's flawless breasts and toned body. The model's arms are raised and her hands are buried within her flowing hair.

Voronin makes use of fruit within this gallery. The juiciness and succulence of watermelon is suggestive of the allure that Liza embodies. The photograph featured from this gallery captures the model squeezing the juices from the ripe fruit and allowing them to flow over her breasts. Black seeds dot her tanned flesh and a perfectly manicured hand rests in the cleavage between her bosom. Liza's attention is focused on the sticky stream of wetness making a trail upon her torso.

The last photo by Voronin offers viewers a chance to appreciate the curves and lines that come together to create the amazing figure of this model. She poses with a hat upon her head but she is completely nude against a landscape of country. Her off-kilter stance accentuates her slender waist and curvaceous hips. The well-groomed area between her thighs is bold and readily visible. Liza is as confident and beautiful as ever in one of Voronin's shining galleries.

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MetArt Galleries

Marketa: "Tigre" by Erro

Marketa has been featured in many galleries at Met-Art but this series showcases the sublime beauty of the model against a backdrop of white and off-white tiles. She is nude from the outset of the series and her unblemished body is covered with glistening oil. Marketa's blonde locks are pulled away from her face and secured in a single braid. This hairstyle draws attention to the perfect symmetry of the model's facial features that are such a vital part of her captivating allure.

The cover photograph from this series captures a rather aggressive countenance upon Marketa's facial features. Her eyes are intensely locked with Erro's camera and Marketa's lips open to reveal her dazzling white teeth. The blonde's shoulders are cocked and her manicured nails are splayed over one of her hips and one of her thighs. There is something visceral about this cover photograph that is aligned with the title "Tigre". chosen by Erro. Marketa appears like a tigress ready to pounce upon her prey.

In contrast to the cover photo, the next photograph highlighted from this series presents a more subdued image of the statuesque seductress. Marketa poses with the backside of her body pressed against the cool smooth tiles. Her expression is one of calm and reserve. The model's full round breasts, tiny waist, toned abdomen, and toned thighs shimmer beneath a layer of oil. Marketa's braided hair rests upon one of her shoulders and her dark eyes are penetrating.

Marketa reveals yet another aspect of her loveliness in the following picture. The model is photographed with a broad radiant smile. She poses with her form shifted to one side so that the curves of her physique are accentuated. The smoothness and fairness between Marketa's thighs is clearly discernable and intriguing.

The final photograph featured from this collection truly showcases the flawless feminine artistry of Marketa's form. Erro's careful attention to detail is also evident in this photo. The model's position is perfectly centered. Her sleek blonde ponytail trails directly down the middle of her smooth back. Marketa's hands are clasped in front of her so that her elbows are bent and her arms appear as symmetrical angles. The slenderness of Marketa's torso demands attention as does the identical curves of her generous buttocks.

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Anna: "Terrace" by Vitali Gubin

Vitali Gubin captures the appealing allure of Anna in a variety of settings in this gallery. The series opens with the dark-haired teen posing outdoors amidst greenery and natural lighting. The model holds a fringed camel-colored wrap as she twists and turns for Gubin's camera. Anna is also photographed against a backdrop of scarlet kitchen cabinets. The title of the gallery was inspired by a series of photographs within this collection that feature the model posed like a goddess upon a stone terrace.

The cover photograph is from this sequence of photos and showcases the model's firm buttocks and nude physique. Anna's hair flows freely and frames her exquisite facial beauty as she gazes directly at Gubin's camera. The model's dark eyes are captivating. A hint of a smile graces her cherry red lips. The sculpted structure of her features give Anna's youthful beauty an elegant touch of refinement. The model's hands rest upon the ornate banister and a profile view of one of her pert nipples tantalizes the viewer. Greenery and sandstone brickwork provides a natural backdrop for the innate loveliness of this enchantress.

Anna secures her long tresses for the next photograph. She leans against a white wall as Gubin gives viewers the opportunity to admire the almost the full-length of the model's physique. There is a quality of tenderness that is inherent in Anna's form. Her breasts are delicate and her skin glistens unmistakably with the robustness of youth. A necklace of dark beads adorns the model's graceful neck and large silver hoop earrings hang from the model's earlobes.

Like the cover photograph, the third picture showcased from this gallery is set upon a balcony. The sunlight is bright and direct. One can imagine the warmth of the sun ravishing Anna's exposed flesh. The model stands with both of her arms extended upon the railing of the terrace though her legs are slightly crossed. Anna seems to be sending the message that she is open to the admiration of her charms yet she is a bit shy in revealing all of her secrets. This picture compliments perfectly the cover photograph selected by Vitali Gubin.

The last photograph highlighted from this gallery is an intimate look at Anna as she poses in a standing position indoors. The model sweeps the front of her long hair back so that her dazzling facial beauty can truly be appreciated. Her arms are raised above her head and so the curves of the model's youthful body are truly prominent. The well-groomed area between Anna's thighs captivates.

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Koika: "Icona" by Ingret

Ingret has chosen a luminescent yellow-orange background against which to feature the sensational presence of Koika. The petite blonde model is dressed in a long-sleeved ebony shirt that barely covers her remarkable breasts. A pair of black fishnet stockings cling to her shapely legs. A belt embellished with the words "Lov". encircles Koika's slender hips. Finally, a high-heeled pair of black leather boots adorned with fur complete the model's enticing ensemble. Koika's seductive attire contrasts sharply against the model's innate pure and innocent prettiness. The effect is highly charged with eroticism.

Koika's blonde hair hangs loosely and naturally. Her free-flowing locks are the palest shade of blonde and compliment her fair complexion. This model's facial features are perfectly symmetrical and capture the essence of timeless beauty. Her eyes are clear and shimmer with a shade of blue-green. A glossy hue of pink glistens upon the model's full pouting lips.

The cover photo introducing this gallery pictures Koika dressed in an ebony lace lingerie top and black thigh high stockings. The photograph focuses on the model's firm sculpted buttocks. Koika's lovely face is also featured as she looks over her shoulder toward Ingret's camera. Her face is full of vitality and youth. There is also a hint of budding sensuality present in her gaze.

Koika is next presented in a photograph that frames her doll-like face. The model's long platinum wavy hair is swept to one side so that her facial profile can be admired. Her shining eyes are riveting. The smooth contours of her cheeks, forehead, and chin are flawless. One of Koika's hands is teasingly slipped inside the front of the belt that rests upon her hips. Her other hand rests beneath one of her breasts.

Ingret provides a tastefully alluring photograph of Koika posed in a sitting position with the intimate space between her thighs clearly exposed beneath the pattern of fishnet stockings. The model's knees are pulled together but her thighs are slightly parted. Koika's facial features are set in an expression that highlights her youthful appearance despite the exotic clothing she is dressed up in.

Koika removes her clothing as the photo shoot progresses. She is captured by Ingret in a kneeling position that showcases her nude physique. The model's breasts, toned abdomen, and slender limbs are bared. Koika retains her thigh high stockings but she has shed the rest of her clothing. The model's long hair trails behind her shoulders and her refined facial features are riveting.

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Lidiya: "Sourire" by Sunrise The Movie

This film opens with black and white cinematography highlighting the flirty image of the youthful model Lidiya dressed in a thick furry bathrobe and offering her radiant smile to the camera filming her. Lidiya also winks in conjunction with her playful invitation to watch her disrobe. The movie quickly fades into color film with a tranquil backdrop of music to accompany the exposure of pink lingerie clinging to the lovely form of Lidiya.

A romantic backdrop of floral wallpaper, neutral tones, and ruffles offers a gentle canvas against which to showcase the untouched beauty of this remarkable model. The model performs a sensual strip tease for the camera. She seductively removes her pink bra and panty set as she rhythmically moves her form to the soundtrack of this movie.

Sunrise offers several close-up views of Lidiya's pretty face as well as her youthful body. The vivacious teen traces the contours and curves of her body as she lounges upon a daybed. The camera moves down the length of the model's physique and entices the imagination. Lidiya picks up a heart-shaped pillow and performs a scintillating dance for viewers.

The teen model is next captured lying upon her side on the sofa. Her backside faces the camera before she turns on her back. Lidiya's pert breasts command the attention as the model allows her hands to feel their fullness. Her hands trail down the length of her body until they reach the intimate area between her thighs. Actually, much of film presents Lidiya's hands tracing her flesh and leading the viewer's eye.

This film presents some amazing images of Lidiya's buttocks as she kneels on the sofa and moves her hips in back and forth motions. Lidiya has the face and body of an angel yet this is a young woman who appears to have experience in exploring her own sexuality. She isn't afraid to express this part of her essence or to share this private time with viewers.

Lidiya slips a finger between her lips as she smiles in the direction of the camera. Her playful mischievous nature is riveting as the movie unfolds. This model is unafraid to pleasure herself. There is sensuality in this confidence. Even as Lidiya lies motionless upon the daybed that provides the setting for this photo shoot, she exudes a sense of eroticism. The entire movie evokes this aura.

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MetArt Galleries

Jade: "Itaka" by Gubin

Gubin has created a series that is the stuff that fantasies and dreams are made of. The gorgeous Jade is the focal point of this gallery that places the model in surroundings that are cozy and inviting. The fiery-haired enchantress spreads her form out in front of a blazing fireplace. Her haunting pale eyes beckon viewers to join her as she sets aside an evening for rest.

The sand-colored brickwork of the fireplace and the tawny fur rug are the foundational color palate against which the fair-skinned model is presented. The irresistible siren stretches her exquisite form upon a pedestal of softness. A turquoise beaded necklace is an accessory that accentuates the blue-green tones of the model's doll-like eyes. Black thigh-high stockings cling to Jade's shapely legs and a sheer flowing wrap rests upon her slender hips.

The introductory photograph selected by Gubin for this series is a testament to this model's willingness to share her presence with all who dare to behold her bewitching gaze. Jade poses in a sitting position with a piece of her lingerie strategically placed so that viewers are enticed to explore the wonders she has in store for them.

Jade is a young woman confident in her desirability. The sensual redhead is never hesitant to reveal her most intimate treasures. This is clearly evident from the outset of this gallery as Jade first appears with her full breasts bared and the rest of her fine physique barely covered. Jade next poses in a stance that offers a profile view of her form. The model's chin is slightly upturned so that her sculpted facial bone structure is showcased. The edges of the flames behind her accentuate the fiery tones of her long flowing hair. The tops of her lacy thigh high stockings accent the sublime femininity this model embodies.

A scintillating expose of Jade's erotic nature is explored in the next photo from this gallery. The model is seated upon the floor with her thighs separated in such a way that the smoothness between them is visible. Jade's eyes are cast downward while one her delicate hand rests upon one of her voluptuous breasts.

The last photographs from this series picture Jade's ivory flesh without her stockings or lingerie. One of the most intriguing pictures from these latter shots captures the burning embers and dancing flames from the fireplace behind Jade's nude form. The model rests her knees and buttocks upon the softness of a plush rug. Each curve of Jade's torso is distinct and defined.

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Natasha: "Charisma" by Vitali Gubin

The slender and amazingly toned model, Natasha, first appears topless with her firm and pert breasts fully exposed from the outset of "Charisma". The model wears enticing sheer black panty hose minus the panties so that her the most intimate areas of her feminine anatomy are easily discernable. A fiery red and orange necklace of beads adorns the model's neck along with a coordinating black and red boa. Silky elbow-length gloves cover Natasha's forearms and along with the boa accent give this series a burlesque-type quality. The model's outgoing personality shines brightly throughout the photo shoot.

The backdrop chosen by Gubin for this series is unassuming. It is a blank ivory wall without any adornment. Natural hardwood floors are also part of the backdrop. Natasha's seductive aura dominates the neutral backing.

The photograph introducing this gallery reveals a facial profile of Natasha that emphasizes her fine bone structure. The model's nose is perfectly formed. Her vibrant eyes are shielded by shadowed lids. Natasha's lips glisten with a soft shade of rose. Every angle and curve of her physique is displayed in this "tease". cover photo. The smoothness between her bare thighs draws the eye just before the admiration of Natasha's bosom steals the attention. Precious red ribbons accent the black hose worn by the model.

The close-up photograph featured from this collection highlights the clear reflective eyes that Natasha possesses. She flashes a pearly white smile in the direction of the camera that is heart-stopping in its vibrancy. The model sits upon a polished natural-colored wooden floor that compliments her innate loveliness. Natasha's petite frame is captured in this still photograph. Her outgoing personality is translated throughout the entire series. This is a woman who garners attention with her very presence.

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Natasha G: "Emerald" by Gubin

There is an interesting legend associated with the emerald gemstone. It is said that the owner of such a precious stone is gifted with eloquence. Though this gallery doesn't integrate an actual gemstone, the color of emerald is an integral part of each photograph. It is the emerald decor of the bathroom Natasha poses in that surely inspired the title for the series. And Natasha is certainly a woman who possesses the quality of eloquence.

Studies have also noted that the human eye is more sensitive to the color green than any other. The emerald hues that envelop Natasha are innately soothing to the eye. The model herself also offers this effect with her appearance.

Natasha is featured throughout this series in surroundings dominates by rich shades of emerald. The blonde poses in front of a mirror and deep green vanity. Wall border and other decorative accent pieces are shades of emerald as well. Strands of iridescent peach beads adorn the model's chest and encircle her slender waist. The shade of the beads compliment Natasha's skin tones and contrast in a startling way against the abundance of emerald colors present.

Nude-colored thigh high stockings cling to the model's athletic legs. She wears a pretty peach bracelet on one of her slight wrists. Gubin has done a fantastic job of using unusual accessories to showcase the supreme physique that Natasha is so often recognized for.

Natasha embodies exuberance and vitality. The introductory picture from "Emeral". is a testament to these personality traits held by Natasha. The slim model rests her buttocks on the edge of a sink. Her long blonde hair frames her lovely face. Natasha's complexion glows with health and radiance. She has a brilliant smile that captivates.

Gubin highlights Natasha's smile and hypnotic gaze at close range in one picture. She leans casually against a smooth glossy tiled bathroom wall. Her facial features are refined and draw the attention effortlessly. Raw positive energy seems to radiate from Natasha's image.

The model climbs on top of the sink and assumes a kneeling position with her backside bared in the direction of Gubin's camera. Natasha turns her head to the side so that a profile view of her pretty face is visible. The shapeliness of this model's buttocks are enthralling. Natasha offers an opposite view of her front side as she sits upon the sink facing the camera. The model's fair hair is untamed and wild. This is the overriding sense that is present throughout the entire gallery. "Emerald". contains a unique glimpse of Natasha's unreserved and free spirit.

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Liza & Alena : "Veleno" by Voronin

Liza is a statuesque blonde seductress with a flawless physique and stunning facial beauty. Alena is a dark-haired enchantress with a slender and petite form. Liza first appears in "Veleno". dressed in a black bra and a fishnet body stocking that clings to each line and curve of her toned body. Alena's attire is similar but she wears hues of vibrant red.

Liza's platinum locks are styled in two ponytails and secured with black ribbons. Alena's chestnut tresses are braided into a single braid and adorned with a red satin tie. Both women wear high heels that accentuate their long slender legs.

The background for this photo shoot is a casual and contemporary apartment setting. Neutral walls with an oversized mirror, an ivory sofa, linen upholstered chairs, and dark hardwood floors are part of the setting. This environment creates the illusion that Liza and Alena are two roommates at home sharing and exploring the secrets that each possess.

The cover picture from "Veleno". is an image of Liza and Alena entwined in an intimate embrace. Alena gently holds Liza's finely sculpted face with one of her graceful hands. The dark-haired model's legs are spread enough to reveal the pinkness between her thighs. Alena's exquisitely firm buttocks are prominent in this enticing photograph. Liza's lips are parted and a glimpse of her brilliant white smile is visible. Her vibrant eyes are relaxed and focused in the direction of Voronin's camera. Both of the women are topless and a first glimpse of their breasts' are irresistibly enthralling.

A photograph of the two beauties standing side-by-side is the next featured picture. Alena stands sideways while Liza faces the camera straight on. Liza wraps one of her arms around Alena in an endearing pose. The facial beauty of the two models is striking in this close-up picture.

Alena's superb derriere is showcased as she poses with her arms stretched above her head. Her dark wavy hair flows down her bare back and skims the small of her smooth back. Liza leans into Alena's toned body and hugs Alena's thighs. Liza's flat abdomen is clearly visible above the waistband of her black stockings. This picture is charged with electricity. Soft lighting provide shadows that wrap around the presence of the two women.

The final picture from this collection reveals a completely nude view of Liza and Alena. The full power of their bare flesh is riveting and holds the attention of the viewer as every aspect of the models' fineness is surveyed. The most intimate spaces of Liza and Alena's bodies are offered.

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Jade: "Trace" by Vitali Gubin

Gubin has created a stunning atmosphere in this film that features the timeless classic allure of Jade, one of the most sensual models of Met-Art. The movie is over nine minutes long and affords viewers the chance to be drawn into the shadowy intimate spaces that Jade inhabits. The experience is encompassing and enthralling.

Jade moves like an ethereal creature from another time and place. A dimly lit backdrop of midnight blue hues adds an element of mystique to the captivating diva's presence. Colorful beads adorn her neck and slight wrists. The model's unbelievable bosom is bared from the beginning of the film. A heavily beaded belt encircles Jade's voluptuous hips. A pair of sheer fishnet stockings cling to the model's curvaceous buttocks and long toned legs.

The soundtrack accompanying the movie is mellow and intensifies the viewing pleasure of the film. Jade has the ability to communicate clearly with her movements and her steely gaze. Her lovely hands caress her full breasts and smooth abdomen. They trace each line and curve of her physique throughout the entire movie and this is perhaps part of Gubin's inspiration behind the titling of this work.

Gubin uses the devices of fading throughout the movie. Jade appears and reappears as lovely as ever each time. At one point the model disappears through a dimly lit doorway. She is next featured against a hazy lavender backdrop induced by colored lighting. Jade moves to a bed without her stockings though she retains the beaded belt around her hips.

The model stirs the imagination as she stretches and preens upon the bed. Gubin uses his camera to highlight the most intimate places of Jade's form. She poses upon parted bended knees and moves her hips in a sensual serenade. Jade runs her hands through her long straight red hair and tilts her lovely face in every conceivable angle. Her expression ranges from serenity to pure ecstasy. This seductress is truly enchanting and manages to weave a spell that transcends the effect that still photography can offer. This medium allows viewers to appreciate the full effect of her vitality and feminine wiles.

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Liza: "Look" by Voronin

The tall and lithe blonde model showcased in this gallery first appears with a white scarf wrapped around her curvaceous hips. The suntanned tones of Liza's flesh shimmer against the stark whiteness of the wrap. Strands of iridescent pearls are draped around Liza's graceful neck and rest between the valley of her perfect breasts. The hanging beads accentuate the model's toned torso and amazingly flat abdomen.

The backdrop for this photo shoot is lush greenery. This is a setting that Voronin uses often to showcase the undeniable innate allure of this model. Liza's presence is like the unspoiled habitat that surrounds her unblemished perfection. The natural sunlight settles upon her skin and illuminates her finely sculpted facial features and physique. Liza is a model who has nothing to hide. The blonde is more than willing to expose each curve and angle of her form for Voronin's camera and the craftsman behind the lens is an expert at framing her sensuality and feminine charms. Liza and Voronin consistently bring to Met-Art the best in fine nude art photography.

The cover photograph for this series is a photograph focusing on Liza's exquisitely formed derriere. The model poses with a scarf draped over one of her smooth shoulders while she turns her angelic face towards Voronin's camera. Liza's full blonde tresses are pulled to one side so that her delicate face is in full view. Her lips are slightly parted and a hint of a seductive smile graces her precious lips.

Voronin provides a head shot of Liza in the next photograph. The model's facial beauty is prominent in this picture. Liza's sweeping brows frame her clear penetrating eyes. Simple pearl studs adorn the model's earlobes and coordinate with the pearls lying upon her bared bosom. The photograph is elegant in its simplicity and clarity.

Liza is captured with her arms clasped behind her head and her lovely face upturned skyward in the next photograph. The lighting is somewhat shadowy as if it is receding at this point in the photo shoot. The effect is startling. The model's slender body is clearly the focus of this picture.

The final photograph featured from this collection reveals a softer side of Liza's presence. The model appears almost demure. Her hair is partly pulled back but the ends are draped over her shoulders. Liza's hands are folded behind her back and slender thighs are partly crossed. The darkness between her legs is still visible despite the coy expression that seems to dominate her facial features. This is a perfect example of the versatility this model exhibits in her modeling work. It's also a testament of the creative talent behind the camera that produced this series.

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Yana B: "Flora" by Slastyonoff

Slastyonoff has created a dream-like atmosphere in this latest offering. The model, Yana, is photographed with a bounty of pristine fresh white flowers. The overall ambiance of the entire series "Flora". is one of peace and solitude. Yana reveals her innermost private time and private areas with viewers.

Yana's taut body is partially submerged in a tub of clear still waters in the introductory photograph. White blossoms cover much of her body and float in the space between her parted thighs. The model's face is calm and serene. She is clearly enjoying the relaxation the warm water provides. Stastyonoff captures an unobtrusive portrait of feminine beauty with this stunning picture.

The photographer comes closer to Yana in the next highlighted photo. It is the model's facial features that are the focus of this particular picture. Few cosmetic enhancements are present as Yana's face, shoulders, and one of her breasts is framed by a floating bouquet of flowers. A simple golden chain adorns Yana's graceful neck. The model's auburn hair hangs loosely.

Soft lighting dominates the third photograph featured from the "Flora". collection. Yana poses on bended knees in a bathtub. Her nude body is bared but the model's crossed arms occlude her breasts. A delicate golden chain bracelet encircles one Yana's wrists. The ends of the model's hair are wet from her bathwater. Yana puckers her succulent lips and gestures as if she is asking viewers to keep a secret. This photograph communicates through the medium of still photography so much about this young woman. A blossom is tucked behind one of the model's ears and a mischievous countenance is present in the features of her face.

The photographer offers a view of the model's backside in the final photograph reviewed. Yana's buttocks are full and round. Bikini tan lines are discernable at the place where her back melds into her bottom. Yana's legs are parted and her hands rest on her thighs. The model's hair styled in long layers trails down her smooth back.

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Anna and Inna: "Misses" by Voronin

Inna is another one of Met-Art's many starlets. Her distinctive lips, fiery red hair, and flawless form make her one of the most unforgettable models that continue to make appearances at Met-Art. Inna is presented by Voronin in an unusually submissive and innocent role in the series "Misses". She is featured in the gallery alongside the ebony-haired model, Anna, whose beauty is equally breathtaking. Voronin has the foresight to pair two young women with equal yet contrasting attributes together for a riveting viewing experience.

The attire and the way the model's hair is styled lend itself to the illusion that fuels the imagination. Both women appear younger than what they truly are. Ribbons adorn the long flowing tresses of the women. The model's hair is loosely pulled into two pony tails and adorned with colorful bows.

Each model wears stockings that emphasize their long shapely legs. Anna and Inna pose without undergarments from the opening of the photo shoot. Anna is clad in a multi-colored blouse and white striped stockings. Inna is stunning in a lime baby doll top and coordinating hose.

Voronin captures the models posing with balloons and bubbles throughout the series. A bright white backdrop surrounds the two visions of beauty. The carefully chosen props and overall feeling of the gallery add to the theme of missies at play. Inna's amazingly full cherry lips are on display as she puckers to blow bubbles through a ring with Anna.

The cover photograph from "Misse". displays the images of Anna and Inna seated side-by-side upon a white floor. Anna's stocking-clad legs are parted at the forefront of the picture. Inna is slightly situated behind and to the side of Anna. The red-headed model poses with her ivory hands demurely folded beneath her chin. Both models reveal the pinkness between their parted thighs.

Anna and Inna next pose with a shiny red balloon. Anna holds the balloon while Inna traces it's circumference with a carefully manicured finger. Inna presses her forehead against the side of Anna's temple so that her refined profile is clearly visible. Anna boldly eyes Voronin's camera.

The two models are presented in the following featured photograph standing against a black pole. Each enchantress has shed their tops at this point. Inna pushes one of her breasts and her toned abdomen against the length of the pole. Anna wraps both of her hands around Inna's slender waist. The smoothness of the model's skin is unmistakable.

The final picture again reveals an image of Anna and Inna captured in a sitting position. Anna is positioned behind Inna with her legs open and her chest leaning into the back of Inna's shoulders. Inna tilts her head to the side and pulls her knees close to her breasts. The black pole in the previously described photo is present at the edge of the picture.

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Sharon & Vika: "Match" by Vadim Rigin

The photographer titled this gallery "Match". undoubtedly as a comment about the equality of beauty that these two models possess though their appearances differ in many respects. Sharon is an exotic dark-haired suntanned model while Vika's flesh is ivory. Vika's platinum locks contrast sharply against Sharon's dark ones for a striking pairing. The physiques of these models are very similar and on display from the outset of the series. Both young women are voluptuous and slender.

The photograph presents an intimate and casual setting in which to present this duo enjoying one another's company. They pose in various positions upon a patterned sofa. A blank ivory wall ensures that the focus of the photo shoot remains the two youthful models. Sharon and Vika are comfortable and playful throughout the series as they press their flesh together and share sweet kisses.

Rigin introduces the gallery with a picture of Sharon standing in front of Vika so that the blonde is partially occluded. Sharon's full round buttocks are complimented by a bikini tan line. Vika rests one of her hands upon one of Sharon's shoulders. Both women maintain eye contact with the camera even as their breasts are pressed on top of each other. Sharon leans with her palms against the wall behind Vika and assumes a dominant position in this picture but Vika is smiling pleasantly she doesn't seem to mind at all.

Sharon poses upon bended knees at the base of the sofa in the next photograph. Vika is positioned above her on her knees which are nestled into the cushions of the couch. Sharon reaches behind her back to wrap her hands around Vika's waist. This gives viewer's an look at Sharon's lovely physique. The perfectly groomed area between Sharon's slender thighs is titillating. The models breasts' are tender and pert.

Both models are photographed perched on the edge of the sofa side-by-side in the next picture from this collection. Vika maintains a mischievous smile while Sharon exudes scintillating sensuality. The dark-haired vixen seems to have erotic thoughts upon her mind. Rigin does an excellent job of capturing these subtleties throughout this gallery.

Vika poses again on bended knees in the final photograph reviewed from this series. Sharon is behind her in a crouching position. Both models are smiling and having fun. Light from a nearby window streams in behind the girls and accentuates their youthful allure.

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Natasha G: "Premier" by Gubin

Gubin presents a new gallery featuring Natasha in this latest offering. The model appears topless from the outset of the series. Her breasts are certainly one of her most appealing assets. They are firm, pert, and proportioned perfectly to the rest of the model's slender physique.

The background for "Premier". consists of a fireplace, greenery, and champagne colored drapes. These details are unobtrusive, however, throughout the entire series. Natasha is clearly the lotus of attention. The sandy-haired model has no difficulty garnering that attention either as she reveals each inch of her taut and tanned flesh.

Natasha is photographed in a semi-sitting position in the picture announcing "Premier". She is clad only in a pair of black stockings and a lace garter belt. The garters are not attached to the hosiery, however. One of the garters strays between the intimate space which lies between Natasha's toned thighs. Natasha stares sensuality into the eye of Gubin's camera. Her mouth is open and offers a glimpse of the model's stunning white teeth.

Natasha wears a skirt covered with geometric patterns. Colors of teal, green, tan, and black are part of the tapestry of the print. Natasha's hair is pulled into a bun at the back of her head and secured with a teal hair accessory. A double stranded necklace of ivory pearls encircles the model's neck. Her facial expression is relaxed and peaceful. Natasha is comfortable in front of the camera. One of the diva's hands rest upon her abdomen while the other is placed behind her head.

The firmness of Natasha's petite bottom is evident in the next photograph. The model presses her hands against a richly textured wall. Her buttocks curve just beneath the black lacy garter circling the model's hips. Natasha eyes the camera as she assumes this position.

Natasha exhibits her electric sense of sex appeal in the final picture featured from "Premier". The model kneels upon a hardwood floor. She rests one of her hands on a deep green leather sofa. Natasha keeps her stockings and garter on throughout the entire series. The lighting in this picture is subdued and adds to the sense of drama that the model evokes. Sensuality is present and overwhelms the entire composition of the photo. This is a talent that Natasha brings to each one of her appearances and perhaps one of the reasons she consistently ranks as one of the top models at Met-Art.

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Sharon: "Idilius" by Voronin The Movie

Voronin highlights the sensual allure of Sharon in this unique film. The dark-haired model first appears wearing a scarf adorned with layers of golden coin-like charms. The wrap is reminiscent of a belly dancer's garb. The model's movements and the techno soundtrack are also suggestive of this brand of exotic entertainment. And Sharon is certainly entertaining throughout the six and a half minute film. Her energy and erotic presence are mesmerizing.

A stucco and wood-accented terrace surrounded by greenery and natural light serve as a backdrop for the movie. A striped sofa provides a place for Sharon to pose and preen upon for Voronin's camera. The model is not shy about revealing the treasures that lie beneath the scarf encircling her voluptuous hips and backside. Sharon's hands caress every part of her form and viewers can easily imagine the smooth texture of her flesh.

Sharon dances with a mixture of fluid and wild passionate movements. She aligns her body with one of the arches of the terrace. The lines and curves of her shapely physique are accentuated by these movements. Her complexion is suntanned and unblemished. The model's perfect breasts are exposed and simply stunning from the outset of the film. Sharon wears delicate earrings, a herringbone necklace, and a naval charm. Voronin offers several close-up views of Sharon's pretty face. Her enjoyment of her starring role in this movie is evident by the expression that graces her features.

This film is one of the most erotic appearances that Sharon has ever made at Met-Art. There is a heart-stopping scene in which the model licks and nibbles at a group of leaves. Sharon uses one of the leaves to trace the length of her torso and to reach the most private areas of her body. Her torso undulates as the greenery travels the geography of her nude flesh.

Sharon removes the gold-accented wrap at one point of the movie and assumes a reclining position upon a navy and camel striped daybed. The model holds a bouquet of colorful canary flowers in her mouth as the movie fades to this part of the film. Sharon uses the bright blossom to lead the eye to the darkness between her thighs and anywhere else that the seductress wants the viewer to focus upon.

Individual petals trail along Sharon's torso as the movie progresses. There is a scene in which the model gyrates with a pillow between her legs that will tempt the most reserved audience. The model's bottom is showcased in these frames of the film. The movie ends with Sharon exiting the terrace with an over-the-shoulder glance toward Voronin's camera.

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Tanya: "Rossa" by Voronin

Tanya is a relatively new model at Met-Art but this fiery red-haired enchantress has quickly cast her spell upon Met-Art readers. This beauty has that "something". that enthralls and intrigues each time she makes an appearance. Voronin is the expert craftsman who manages to bring unique galleries that frame perfectly this lovely teen's numerous assets.

This gallery is set against a backdrop of ornately detailed geometric-patterned wooden doors, off-white walls, and shiny hardwood floors. The illusion is present that Tanya has invited viewers to join her in her home as she exhibits her most intimate charms. The model wears a multi-colored tropical printed bra and panty set that accentuate her voluptuous figure. A pair of open-toe golden high heel shoes adorns the model's lovely feet. Tanya's long red locks flow freely over her creamy ivory shoulders.

Voronin selected a photograph of Tanya sitting upon a wooden chair with her thighs parted for the cover shot of this series. The model sits with one of her arms propped on the back of the chair and with her face turned a bit to the side. Tanya eyes Voronin's camera coyly and several strands of her hair hang loosely in front of her face. This photograph showcases the stunning facial allure of Tanya as well as the feminine appeal of her amazing physique.

The next photograph from this collection is a photograph in which the model leans against the side of a doorway in a sideway stance. Tanya smiles directly at Voronin's camera and again the model exudes a very inviting presence. Tanya is dressed in the bra and panty set in this photograph. The model's sweeping brows frame her dark eyes. A hint of peach color blushes Tanya's smooth cheeks.

Tanya again leans against a doorway but in the next photograph from this series, the model is facing Voronin's camera. This positioning allows viewers to admire almost the full length of Tanya's spectacular form. The model has shed her lingerie and she poses nude for this picture. She pulls her auburn hair away from her face so that her one-of-a-kind beauty can be taken in. The model's breasts are perfectly symmetrical and the area just below her naval is all natural but well-maintained. The inlaid geometrical pattern of the woodwork on a door in the background adds interest to this photograph though Tanya is able to hold the attention of the most discriminating connoisseur of feminine beauty.

Voronin is not remiss in giving viewers the opportunity to admire the voluptuous curves of Tanya's full bottom. Tanya is photographed standing with her back toward Voronin's camera with the light behind her. The model's fiery red hair appears as if it is lit with the shimmering of light woven throughout the edges of free flowing tendrils. Tanya's long mane trails down her back and rests at the small of her back just above the place where her buttocks begin. The model's thighs are slightly apart so that the light settles also in that secret place between her legs.

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Liza: "Pathos" by Voronin

Liza is topless from the outset of this photo shoot. Her firm breasts and toned torso are exposed. A black satin bow adorns the model's graceful neck and coordinates with the black high heels she wears upon her feet. A pair of spandex hot pink tights clings to the blonde's exquisitely formed buttocks as well as each curve and contour of her long slender legs.

Oversized windows covered with ivory sheers and beige curtains provide a neutral backdrop against which to showcase the extraordinary charms of Liza. A beige sofa with dark wood accents matches perfectly the deep tones of the hardwood flooring of the room Liza is photographed in. The flooring becomes the prominent background for Liza's image as the photo shoot progresses. The rich wood tones contrast vividly against the fair hair, eyes, and complexion of Liza.

The cover photograph introducing "Pathos". captures the ambiance of the series. Liza's allure is poignant. Her flawless image is profoundly moving in its perfection. The model's long blonde hair is fanned beneath her head like a golden pillow. Her face is turned to the side so that Liza's finely sculpted facial structure is discernable. The model lay on her back so that the entire length of her slim physique is displayed. Liza's legs are bent beneath her highlighting the lithe quality of her limbs.

Several shots of Liza's striking face are featured by Voronin. The model stands in front of cascading curtains. Her blonde hair is pulled back from her face revealing Liza's sweeping brows, glistening eyes, and glossy lips. Wavy tendrils of Liza's hair tauntingly cover her bared bosom. This is a photograph that tantalizes and teases.

The next photograph offers an image of Liza seated upon the shiny hardwood floor with her pink tights halfway removed. Liza is positioned in front of a sofa and balances herself with one hand resting on the floor. The model's other hand rests on her forehead. Liza pulls her knees close to her chest resulting in a glimpse of the intimacy that lies between her thighs. The model's high heels are in the forefront of the photograph. They offer a nod to the theme of sexy footwear that Met-Mag focuses on this week.

The stunning model is showcased in a standing pose in the final photo featured from "Pathos". Her hips are cocked to one side emphasizing the model's feminine form. The well-groomed area between Liza's parted legs is accentuated by pale bikini tan lines. One of Liza's hands rests on the side of her delicate face while the other is buried in her flowing mane of hair. Liza continues to hold her position as one of the favorite models of Met-Art readers with this latest appearance.

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Natasha G: "Emerald" by Gubin

There is an interesting legend associated with the emerald gemstone. It is said that the owner of such a precious stone is gifted with eloquence. Though this gallery doesn't integrate an actual gemstone, the color of emerald is an integral part of each photograph. It is the emerald decor of the bathroom Natasha poses in that surely inspired the title for the series. And Natasha is certainly a woman who possesses the quality of eloquence.

Studies have also noted that the human eye is more sensitive to the color green than any other. The emerald hues that envelop Natasha are innately soothing to the eye. The model herself also offers this effect with her appearance.

Natasha is featured throughout this series in surroundings dominates by rich shades of emerald. The blonde poses in front of a mirror and deep green vanity. Wall border and other decorative accent pieces are shades of emerald as well. Strands of iridescent peach beads adorn the model's chest and encircle her slender waist. The shade of the beads compliment Natasha's skin tones and contrast in a startling way against the abundance of emerald colors present.

Nude-colored thigh high stockings cling to the model's athletic legs. She wears a pretty peach bracelet on one of her slight wrists. Gubin has done a fantastic job of using unusual accessories to showcase the supreme physique that Natasha is so often recognized for.

Natasha embodies exuberance and vitality. The introductory picture from "Emeral". is a testament to these personality traits held by Natasha. The slim model rests her buttocks on the edge of a sink. Her long blonde hair frames her lovely face. Natasha's complexion glows with health and radiance. She has a brilliant smile that captivates.

Gubin highlights Natasha's smile and hypnotic gaze at close range in one picture. She leans casually against a smooth glossy tiled bathroom wall. Her facial features are refined and draw the attention effortlessly. Raw positive energy seems to radiate from Natasha's image.

The model climbs on top of the sink and assumes a kneeling position with her backside bared in the direction of Gubin's camera. Natasha turns her head to the side so that a profile view of her pretty face is visible. The shapeliness of this model's buttocks are enthralling. Natasha offers an opposite view of her front side as she sits upon the sink facing the camera. The model's fair hair is untamed and wild. This is the overriding sense that is present throughout the entire gallery. "Emerald". contains a unique glimpse of Natasha's unreserved and free spirit.

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Katya V: "Coral" by Voronin

Katya's debut in this gallery initially presents the fair-haired maiden dressed in black scintillating lingerie. A ruffled and satiny corset clings to the curves of Katya's slender torso. An abundance of satin ties embellish the bottom of the corset. A coordinating lace garter belt and sheer stockings complete the enticing ensemble worn by Katya. Several strands of elegant pearls encircle the model's neck and add an element of refinement to her sultry image.

The cover picture introducing "Coral". is reminiscent of a centerfold layout. Katya's form is spread against a backdrop of shiny leather. The blonde turns her head to the side and casts a seductive gaze in the direction of Voronin's camera. The model's full breasts are flawless in their perfection. This first glimpse of the content to be found within the complete series entices immediately. The soft femininity that lies between Katya's parted thighs is riveting.

Katya is the type of model whom exudes eroticism. The next featured photo is exemplifies this very quality. Voronin presents a close up picture of Katya in which the model poses with her bosom overflowing atop her corset. She opens her mouth suggestively and allows a finger to rest on one of her lips. Katya ensures that the focal point of this picture is clear. Strands of shimmering pearls are pressed between the blonde's full breasts. Katya's dark eyes and arched brows are also a notable element of this particular shot. The expression held within her gaze is intense. The subdued lighting utilized in the photo adds to the overall provocative nature of the picture.

Katya's powerful presence is featured against a backdrop of a china cabinet in another outstanding photograph from this collection. This piece of furniture holds glassware and china. Katya's beauty is as delicate as the treasures displayed in the cabinet.

This model's backside is showcased in the final selection reviewed. Katya kneels on the sofa with her legs spread just enough to reveal the flesh between them. Her platinum tresses trail down her smooth back. Katya rests her hands on both sides of her full hips. She retains her garter belt and stockings in this photo as she does throughout the entire gallery. The model presses her buxom breasts against the slickness of the leather sofa. One can imagine how pleasing the texture of the davenport must feel against her bare bosom. The entire series manages to evoke imaginings in fact.

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Julia V & Yana C: "Malizia" by Poberejnic Lilia

Julia and Yana are dressed in simple cotton dresses and kerchiefs that cover their long tresses as this gallery begins. The are vivid splashes of color woven into the surroundings of the women. The two models are seated upon chests and there are several touches of nostalgia integrated into the setting as well - black and white photos, woven baskets, and lace. The blend of items placed together in the background of the series is intriguing.

Julia and Yana first begin sharing treasures with one another and talking about the items they have found in their surroundings. The scene is reminiscent of two girlfriends spending a rainy afternoon together in an attic exploring forgotten treasures. As "Malizi". unfolds, it is evident that Julia and Yana are about to delve into the exploration of the uncharted territory of each other.

Though the series focuses primarily on the two models together, the photographer also provides many photographs of each model individually. This allows viewers the opportunity to appreciate the unique charms of each model independently. A basket of ripened sweet corn is a dominant prop throughout much of this gallery. Lilia captures the two models posing with an ear of corn in such a way that jump-starts the imagination.

A soft image of Julia and Yana embracing in the nude is the main composition of the cover photograph introducing "Malizia". Both models are lost in the smoothness and warmth of one another's bodies. The intimacy between the two is palpable.

Lilia offers a close look at the natural beauty these two enchantress' possess in the next photograph. The blushed cheeks and shadowed eyelids of Julia and Yana are subtle but emphasize their shared vitality and youth. The background is almost nonexistent in this picture. The focal point of the still is clearly the faces of these alluring models.

The women aren't afraid to express their playful side for the camera either. The following picture reveals the buttocks of Julia. Her white and pink dress clings to her slender waist. Julia is laughing and Yana flashes a smile in the direction of Lilia's camera. Yana's long wavy hair hangs in ringlets around her face.

The last picture reviewed from this gallery is a full view of the physiques' of Julia and Yana. The models are seated upon weathered chests with their flesh totally exposed. A long strand of beads hangs from Yana's neck and trails to the darkness that rests between her parted sides. Julia is seated beside her and the model's pert breasts are bared.

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Tatyana : "Steamer" by Slastyonoff

The setting for this steamy photo shoot is set around the backdrop of a sauna and shower a perfect prescription for repose. The lighting is soft and subdued while the images of the model Tatyana are startling in their simplistic clarity. This is a young woman who commands the attention of all with her wide-open green eyes and short bobbed haircut that perfectly compliments her symmetrical facial features. The model's hair shimmers.

The cover photograph from "Steamer". reveals immediately the quality of the photographs contained within the full photo shoot. There are few who could resist the overpowering direct stare of this model as she poses with her most personal spaces on display for a close-up shot by Slastyonoff. Tatyana certainly earns her place as one of the most recently voted popular models of Met-Art. She is a relative newcomer but she stuns with her debut appearances.

The ivory ribbed walls of the sauna and the richly textured coordinating terry towels situated beneath the model like a velvety carpet provide an unobtrusive backdrop against which to highlight the innate charms of this sweet model with a girl-next-door presence. The series progresses to scenes in which Tatyana is showcased while showering. Shower scenes are a popular motif with many fine nude art photographers, but this model surprises with her unbridled sensuousness. Slastyonoff and Tatyana take this theme to a level that has rarely been captured.

Tatyana leans against the walls of the shower with her bottom positioned within inches of Slastyonoff's camera. Water droplets stream over the model's full round buttocks. Tatyana maintains contact with the camera with her clear and mesmerizing eyes. She looks over her shoulder in the direction of the viewer. Perhaps she is imagining in her mind's eye the desire that the exhibition of her form will create in those who peruse "Steamer".

Tatyana slides her body down the wall to a crouched position while facing the camera. The model holds a silver shower head in one hand while allowing her other to rest just above her most intimate female anatomy. Tatyana's lips are parted and her eyes beckon for someone to join her as she cleanses herself. The shower stream is suggestively directed to the area between the model's open thighs. The title of this series describes perfectly the content of this unforgettable series.

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Tanya: "Aria" by Voronin

Voronin provides a feminine backdrop of pastel pink walls and shadows to balance the intense sensuality of the fiery-haired vixen, Tanya, in this series. The model's voluptuous physique is on display from the beginning of the gallery - even when she is clad in a sheer blouse. The loose material clings to her pert breasts and tapered waist. Several photographs feature Tanya absently pulling at the material of the blouse to perhaps cover the prominent natural auburn patch of femininity between her toned thighs. It's difficult to imagine that this model possesses the trait of modesty when she is the holder of such stunning good looks. Yet, this is part of her charm.

Tanya's long flowing mane is wild and untamed. One can imagine that this young woman mirrors these qualities with her lovers. The auburn hue of her tresses is rich and contrasts solidly against her unblemished complexion. The model's full lips are tinted with the prettiest shade of pink. One of the most distinctive aspects of Tanya's gaze is her sweeping arched brows. The definitive lines that frame them suggest that she has a bit of mischief up the three-quarter length v-cut sleeves of her blouse.

The cover photograph from this series features the model kneeling upon a bended knee with her back against a wooden door. Her blouse is pulled up so that her breasts are bared. Several strands of luminous beads adorn the models smooth neck and she wears a pair of open-toed high heels. Tanya's long hair cascades over one of her shoulders and partially covers one of her eyes. The effect is extremely seductive.

Another selected picture from this collection features the model perched upon a white chair. She poses with a hand placed delicately upon one of her exposed breasts. Pink and white sheers provide the backdrop for this still photograph. Tanya's flat abdomen and the space between her legs are displayed through the lens of Voronin's camera. A serene expression shadows the model's pretty features as she invites viewers to survey her fine physique.

It would be a pleasure to dine at the table that Tanya poses upon in the next highlighted photo. The model's gorgeous facial beauty is undeniable in this photograph. White sheers and a white table provide a blank canvas against which her stunning good looks are displayed. The final photo truly showcases the curvaceous qualities of this model's figure.

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Natasha: "Charisma" by Vitali Gubin

The slender and amazingly toned model, Natasha, first appears topless with her firm and pert breasts fully exposed from the outset of "Charisma". The model wears enticing sheer black panty hose minus the panties so that her the most intimate areas of her feminine anatomy are easily discernable. A fiery red and orange necklace of beads adorns the model's neck along with a coordinating black and red boa. Silky elbow-length gloves cover Natasha's forearms and along with the boa accent give this series a burlesque-type quality. The model's outgoing personality shines brightly throughout the photo shoot.

The backdrop chosen by Gubin for this series is unassuming. It is a blank ivory wall without any adornment. Natural hardwood floors are also part of the backdrop. Natasha's seductive aura dominates the neutral backing.

The photograph introducing this gallery reveals a facial profile of Natasha that emphasizes her fine bone structure. The model's nose is perfectly formed. Her vibrant eyes are shielded by shadowed lids. Natasha's lips glisten with a soft shade of rose. Every angle and curve of her physique is displayed in this "tease". cover photo. The smoothness between her bare thighs draws the eye just before the admiration of Natasha's bosom steals the attention. Precious red ribbons accent the black hose worn by the model.

The close-up photograph featured from this collection highlights the clear reflective eyes that Natasha possesses. She flashes a pearly white smile in the direction of the camera that is heart-stopping in its vibrancy. The model sits upon a polished natural-colored wooden floor that compliments her innate loveliness. Natasha's petite frame is captured in this still photograph. Her outgoing personality is translated throughout the entire series. This is a woman who garners attention with her very presence.

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