MetArt Galleries

Ashanti and Bella "Torrent" by Ingret

Ashanti's auburn tresses are braided in an adorable fashion to highlight her youthful appearance while Bella's blonde wavy locks flow freely. The flaxen-haired model possesses a pure and angelic appearance that perfectly compliments Ashanti's presence. Bella is nude from the outset of this series. A long crystal beaded necklace is the only embellishment worn by this pretty model. Ashanti wears a patterned halter top that harmonizes with the textured orange and red backdrop.

The cover photograph from "Torrent". shows a lean and smiling Ashanti standing upright behind Bella who is kneeling upon rust-colored tiled flooring. Both models are smiling and obviously enjoying their exhibitionistic fling with Ingret's camera. Ashanti has shed her halter top and the darkness between her parted legs is openly displayed. The lightness between Bella's thighs solidifies any questions as to whether the model is a natural blonde.

The next photograph featured presents an almost full-length profile view of Ashanti and Bella. Both models make direct eye contact with Ingret's camera as Bella clings to Ashanti's halter top. Ashanti's lips are slightly open while Bella maintains a secretive half-smile with glossy rose-colored lips. The lines and contours of the girls' shapes are striking.

Ingret has captured a tantalizingly suggestive photo in the following picture. Bella is situated upon her knees between Ashanti's spread legs. The blonde casts an over-the-shoulder gaze toward the camera and one can only imagine what she has been engaged in. Bella's buttocks are parted enough to reveal the softness between her tender thighs from behind. Ashanti poses with a hand demurely wrapped around one of her braids and eyes the viewer coyly. Ashanti retains her top but her most private feminine space is open and accessible to Bella.

The final photograph reviewed from "Torrent". reveals Ashanti and Bella standing side-by-side with their bodies bared for Ingret's camera. Ashanti is looking in the direction of Bella while the blonde-haired model eyes the camera with a head-on-stare. Perhaps the infatuation between these two lovely young ladies rests upon Ashanti's smooth creamy shoulders. The auburn-haired model seems to be taken by the fairness of Bella and her charms. The scope of the gallery leaves the viewer wondering where the fascination rests, but each photograph as it unfolds offers its own degree of fascination. This series only reiterates the notion that two women posing with flesh upon flesh intensifies the enigma of the feminine mystique.

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MetArt Galleries

Zuzana: "Puma" by Jan Kruml

Zuzana is a free-spirited teen model recently discovered by Jan Kruml. This young woman embodies vitality and exuberance. These qualities of Zuzana are portrayed throughout this gallery that is full of movement and dazzling artistic merit.

The model first appears wearing a flowing white spaghetti strap blouse and jeans. Her chestnut hair is smooth and straight. It glistens in the soft evening light. Kruml has chosen a field of wildflowers in which to capture the loveliness of this model. It is an excellent choice because Zuzana has the room and the freedom to truly express her personality.

The cover photograph from this series captures Zuzana in motion. The model has shed her clothing and is running through the field with her long hair swirling around her. Zuzana�s brilliant smile and shimmering complexion is radiant. The smoothness between her thighs is captivating.

Kruml opens the series with photographs of Zuzana casually dressed. The model smiles openly and invites viewers to join her in her evening romp through the secluded field. Zusana holds a bouquet of wildflowers in her hands and tilts her head and hips slightly to one side. She is the epitome of innocence and budding womanhood.

Kruml displays his formidable artistic talents in a succession of extremely focused photographs. The composition of several photos in this series revolves around specific parts of Zuzana�s physique. The photographer is adept at creating works of art with this style of photography. Kruml focuses on Zuzana�s breasts, torso, and the area between her thighs as the she removes her jeans. Purple flowers decorate the corner of the picture and the model�s long hair glows with highlights of auburn. The photographer focuses even more closely on Zuzana�s female anatomical parts in several more explicit photographs of this series. The effect is tasteful and artistic.

The final picture of Zuzana discussed in this essay reveals the model�s full round buttocks. Zuzana has her jeans partly removed to expose her backside. She casts her gaze over her shoulder in the direction of Kruml�s camera but there is some distance between photographer and model. The expanse of the field is evident in the background but Zuzana is clearly the focus of the picture. A profile of one of her breasts is captured. Again, the model�s lovely smile is present in this picture.

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