MetArt Galleries
Zuzana: Kaleia by Jan Kruml
Zuzana is a model with whom Kruml has recently began working with, but their rapport has quickly developed. The dark-haired model has a natural beauty and vibrant personality that shines through the medium of still photography. This gallery is no exception.
The introductory photograph for "Kalei". tantalizes with a photograph that clearly focuses on Zuzana's full round bottom. The model leans with her lovely face close to a mirror that reflects the image of her pretty face. The model's pink lips are parted to reveal Zuzana's dazzling white smile. Her dark eyes are gorgeous. The lighting chosen by Kruml emphasizes the model's glistening skin tones and complexion.
Kruml offers another opportunity to admire the unpretentious beauty of this teen in the following picture. Zuzana again poses in front of a large mirror so that her face and torso are reflected and captured by Kruml's camera. The model's back is slightly arched and her arms are extended above her head to reveal her pert breasts. Zuzana pulls her long dark tresses away from her face to reveal the fine bone structure of her face. The model has distinctively arched brows that frame her clear bright eyes.
Zuzana poses upon bended knees in the next photograph. She is poised on the seat of a wooden chair. Her form is nude and glistens in the evening light pouring through a nearby window. A mirror in the background captures a profile view of one of the model's generous breasts. Zuzana raises one of her fingers to her lips. Her gaze is direct and sensual. The area between the model's thighs is visible through the spindles of the antique oak chair.
The last picture reviewed from this gallery is an example of the highly artistic samples presented by Kruml. The photographer zeroes in on Zuzana's torso and the model's most intimate feminine space. The model poses with her arms crossed in front of her and her breasts are pulled close together behind the worn spindles that make up the backrest of the chair. Filtered natural lighting is an integral part of this photograph as well.
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MetArt Galleries
Lidiya & Ksucha A: "Panta" by Goncharov
The series begins with Lidiya and Ksucha posing in front of a floor-to-ceiling set of spacious windows. The girls are dressed in sheer and iridescent lingerie. The photo shoot quickly progresses to the more intimate setting of a bed where the teens begin to explore the geography of each others bodies. The effect is intriguing. It is if Lidiya and Ksucha are inviting viewers to join them in their private play date.
Lidiya and Ksucha are pictured seated on a bed side by side in the cover photograph from "Panta". Ksucha, with her dark hair and sweet angelic face, is pictured with her head resting on Lidiya's shoulder. Lidiya crimped red tresses frame the model's flawless facial beauty. The auburn-haired model poses with her legs bent so that the darkness between her thighs is exposed. The photograph is an interesting mixture of vulnerability and sensuality. There is a distinct ambiance of both emotions despite the normally contrasting nature of the emotions. Natural wood paneling provides a backdrop against which the two teen models lean. Teal blue sheets cover the bed upon which the young women lounge on.
Ksucha displays her fondness for Lidiya in the next picture featuring the raven-haired teen holding Lidiya gently in her embrace. Lidiya crouches on bended knees with her backside angled toward Goncharov's camera. One of Lidiya's arms encircles Ksucha's tiny waist and it's evident that Lidiya is returning Ksucha's affections. Ksucha's countenance is one of deep thought while the expression conveyed by Lidiya is one of playfulness. The red haired model flashes her brilliant smile.
A close up picture of the two models is offered in the following picture highlighted from "Panta". Soft shadows wash over the flesh and the faces of the young women as they lay in each other's arms. Ksucha's most private area is openly revealed as the model spreads her legs within a very short distance of Goncharov's camera. Lidiya rests one of her hands in the crevice of one of Kscucha's parted thighs. The picture is scintillatingly suggestive. This is the overall feeling evoked by this gallery that boasts 120 pictures.
Another suggestive photograph included in this series is showcased with the last selection reviewed. Lidiya is pictured with her back pressed against a wall and with her pert breasts bared. Ksucha kneels in front of Lidiya with her buttocks and with the flesh between her thighs pointed directly at the viewer. Again, subdued lighting is a definite part of the photograph and manages to lend a sense of intimacy to the picture.
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