MetArt Galleries
Inna: "Pesca" by Voronin
Inna is dressed in a matching ivory lingerie set. The bustier and panties are covered with delicate pastel colored butterflies. Satiny tangerine laces secure the back of the top and the sides of the panties. Vibrant lime-colored earrings are the only jewelry worn by the vixen and pick of the hues of the high heeled shoes worn by Inna. The model holds a hot pink feather fan in her hands as the gallery opens. The vivid splashes of color from the earrings, laces, and fan accessories add a striking artistic quality to these pictures. Voronin routinely uses creative combinations of color when photographing Inna. She is a woman whose beauty is accentuated by any color scheme.
The introductory picture for "Pesca". shows an image of Inna photographed in a crouching position. The model looks over her shoulder at viewers. The v-shape lines of the model's panties compliment the contours of Inna's smooth buttocks. Crisscrossed laces run down Inna's back and the tail of the laces hang at the sides of her body. The model's sky blue eyes and peach complexion glisten.
The next picture showcased from this gallery shows a front view of Inna standing with an opened fan in front of torso. The model's face is turned to the side so that the refined features of her profile are visible. Inna's long auburn hair is pulled back at the sides and offers an unobstructed view of her heavenly beauty.
Voronin changes the intensity of the lighting as the gallery progresses. The photograph featured next offers an image of Inna removing her panties. Shadows cling to the outlines of the model's form. A titillating glimpse of Inna's most secret femininity is visible as she pulls at her panties. Voronin chooses an angle that hovers above the model lying upon her back with her body stretched out.
Inna's physique is displayed against a backdrop of shimmering gold in the final photograph reviewed. The model has shed her lingerie and offers her nude form without reserve. Inna's head is turned to the side but her sensual gaze is visible beneath half-closed eyelids. The model's succulent lips are inviting.
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MetArt Galleries
Natasha: "Wonder" by Voronin
Natasha is like a vision of a finely crafted doll dressed in a red bustier laced with hot pink ribbons. Matching dangling pink feather-like earrings adorn the model's delicate earlobes. A single pink ribbon encircles the model's tiny ankle in the cover photograph from the series. Natasha sits upon a polished hardwood floor with her slender legs slightly parted and with one knee pulled close to her torso. One of her thin arms rests upon a wall. The bodice of the bustier is loosened so that a glimpse of the stunning model's bosom can be gleaned. Neutral tones fill the backdrop of the photograph. The presence of Natasha shimmers against the subtle hues and tones.
Voronin provides another view of the model sitting on the floor in the next photo highlighted from this series. Natasha poses with her arms situated behind her back and with her long legs parted. Voronin presents a perfectly centered picture of this enchantress. The ribbons of her bustier have been loosened enough to reveal the model's perfectly symmetrical breasts. Her gaze is locked with the photographer's camera. The subdued lighting accentuates the tones of Natasha's flesh and gives the photograph an element of softness.
The model is equally stunning in more intense light as the next photograph illustrates. Natasha poses in a crouched position allowing her buttocks to rest upon the back of her heels. She holds open each side of her lingerie in a gesture that allows a view of her slim torso and firm breasts. Natasha's pink fingernails are noticeable in this photograph and the color coordinates with the hot pink ribbons accents that are so prominent throughout the gallery.
The last picture showcased from this collection truly captures the essence of the artistic perfection that Natasha possesses. She is the ultimate specimen of everything that is so mysterious and compelling about feminine beauty. Natasha appears like a goddess frozen in time against a silhouette of a half-moon shaped hint of light. This particular photograph is also a testament of the way Voronin has of speaking a thousand words via the channel of photography.
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