MetArt Galleries
Nastya: "Electrique" by Vitali Gubin
Nastya's unblemished physique is presented in the cover photograph for this gallery. The model stands with her sweet face slightly tilted to one side. Her beauty is soft and gentle. A simple necklace is the only jewelry worn by Anna. Gubin realizes that this model's striking beauty doesn't require numerous embellishments. The faint light triangle nestled between Anna's legs put to rest any doubts of whether her shoulder-length locks are naturally blonde. The photograph clearly presents Anna as the focal point of the composition the backdrop is almost indistinguishable.
The second photograph featured from this collection pictures Nastya poised with her carefully manicured hands placed upon her hips. The firmness of the model's breasts is vividly showcased in this photo. The tautness of her torso and abdomen is also evident. An expression of coolness is conveyed from the model as she eyes Gubin's camera. This is a young woman who is comfortable with her body. Loose bangs partially occlude one side Anna's face but her direct gaze is still obvious.
The lighting is a bit more intense in the next photograph. Anna grasps a pair of clear beads in one of her hands as she stands in front of a white paneled door. The model's fine bone structure is prominent in this photograph. The fairness of her presence is overwhelming. Nastya is like light manifested by her very presence. Her image is electric just as Gubin's titling of this series suggests.
Despite Nastya's angelic appearance through much of this series, the model displays her affinity as a seductress as well. The final photograph highlighted from this gallery pictures Nastya clad in a plaid skirt reminiscent of a schoolgirl. The blonde daintily lifts the front of the skirt to reveal the smoothness between her slender thighs. A simple red necklace rests upon her chest and trails between her exquisite breasts. The model's glistening lips are slightly parted as are her legs. Nastya seems to be offering an invitation that few could resist accepting.
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